Mid-paced, with a heartfelt string arrangement, this is a warm and tender song that you can't not like. And, along with the totally different version by the West Coast Pop Art Experimental Band (q.v.), it makes up half of my all-time favourite pair in which the same song has been done by two artists. IMHO not even "Woodstock" or "I Heard It Through The Grapevine" come close ...
from Golden Grass (Dunhill) available on CD - Grass Roots Anthology 1965-1975 Vol. 1 (Rhino)
22 Dec 04 ·ronin: What's not to like about this whole album? Warren Entner's voice was the hook that drew me in, but harder numbers like "Where Were You When I Needed You?" and "Things I Should Have Said" are more to my taste. "Feelings" and "Hot Bright Lights" merit mention. Even "Bella Linda" with the sappy violins is a gem.
From Ottawa, the Staccatos were Canada's best pop band of the 1960s and, with the possible exception of Strange Advance, still their best ever. This song is a bit of a clone of their biggest hit, 1967's "Half Past Midnight", right down to the lyrical preoccupation with time, but it's still worth a listen if you like that late-'60s "summer pop" sound, because its production is pretty tight and it has several neat little tricks like the best pop songs do. The flip side is called "We Go Together Well" and it's pretty good too, with its fuzzy guitars (or is it the bass?) ...
All of these tracks mentioned here were found on a 1969 LP called "Five Man Electrical Band", which is what the Staccatos had changed their name to. The LP contains both sides of the "It Never Rains On Maple Lane" / "Private Train" release which was the first under that name, but subsequent material followed a musical change of direction to what I would call "swamp rock" after that ghastly "Joy To The World" by Three Dog Night (ugh!), although "Signs" and "I'm A Stranger Here" at least had some lyrical smarts ... a CD of this stuff has been released but unfortunately the Staccatos material has not, apart from "Half Past Midnight" which showed up on a best-of-Canadian compilation.
Not everybody remembers this, but the "other" side of the famous "In-A-Gadda-Da-Vida" album featured five rather terrific songs. And this one has "cool passion" written all over it, because the lyrics are straight-ahead I'm-in-love-and-I'm-almost-tongue-tied-about-it but within a medium-paced 6/8 framework rather than a frantic groove. Meanwhile the organ and the choir-like backing vocals give it a lot of warmth. So it sounds like what I'm saying is that it manages to be both cool and warm at the same time. That may not make sense, but it's a great song off a classic LP.
Incidentally, rock writer Dave Marsh in one of his reviews said "It's now garbage" about this LP. Bullfeathers! It's still a classic. It makes me wonder what Marsh thinks is not garbage these days -- misogynous rubbish about ho's and bitches perhaps?
This is the sound of ecstasy, the most joyful song to ever hit the charts! Quite unlike the mope-rock of recent decades (although I like the Smiths too). It just rings out, I think because it has a very heavy emphasis on the "dominant" musical tone.
The Association, of course, had several huge hits in the 1966-68 period, like "Cherish", "Windy", and "Never My Love", and the also-wonderful "Along Comes Mary" (their debut), but in my opinion "Everything That Touches You" is definitely their best.
22 May 03 ·konsu: Yes indeed! Birthday is such a great album. I think this one was a minor hit for them, but the rest of this record is just as worthy of exhaltations. Check out the tune "Like Always" as well. Pure genius!! 24 Jun 03 ·tinks: i heart birthday. but then again, i heart the association. even stop your motor. 22 Dec 04 ·ronin: Their interweaving vocal harmonies still blow me away, especially on songs such as this one, my personal fave. "Insight Out" was 1st album we ever purchased independent of parents. "Requiem for the Masses" is another powerful harmonic tour de force. Who sings (not yells) like this anymore? Every member of the group (even Brian!) sang. 14 Apr 05 ·Goes Up To 11: My then-girlfriend (now wife) and I had breakfast with the Association at about 2 am in the Atlanta Hyatt-Regency's coffee shop after a concert at Georgia Tech in 1969 or 1970. Nice guys! Although the Association took a lot of critical heat in the years since, I remember them as extremely professional musicians, able to precisely recreate their complex studio vocal harmonies live in concert. Part of the reason may have been that they were the first band I remember employing a mixing board out in the audience during a concert, something that became standard practice in the industry within a few years afterwards.
