A simple and groovy, mid-tempo easy pop tune with a nice wah-wah guitar riff and Jane B.'s trademark teen fox vocal. Everything apart from the words "Lolita go home" is sung in French. Jane B. didn't really know French and it sounds quite funny. Gainsbourg and Birkin must've had a hell of a relationship! Another classic in my dj set which again shows Gainsbourg's tremendous ability to write sunny bubblegum pop as well as arrange it deliciously.
French girlie pop of the sort that only Serge was capable of! This is taken from the soundtrack to a television comedy special starring Gainsbourg, Jean-Claude Brialy & Anna Karina, who prior to this had of course been Jean-Luc Godard's primary actress and wife (reportedly, her dalliances with Mssr. Gainsbourg played a pivotal role in the dissolution of their marriage). Rah-rah-rah-roller gairl!
18 Oct 02 ·LetFreedomHappen: What a great song! I was about to recommend it myself. I love her film work with Godard, and was way excited to find out that she sang stuff too. Especially Gainsbourg stuff. This is one of my favorites. How cool, how cool.
One of a few especially jazzy and hip tracks by France Gall, I enjoy this one even more than I enjoy her more sugary pop tracks like 'Christansen'. The arrangement is quite spare - basically just France singing with a groovy small jazz combo. She also gets into some very cool scat vocals. Very, very cool.
from Ne sois pas si bête (EP) (Philips) available on CD - Poupée de Son
06 Nov 02 ·modadelic: most of france gall's 60's output from her yeh yeh bubble pop to the NOW sounds is excellent and highly recommended by moi. her compilation poupee de son is a great place to start for anyone new to the charms of france and her lovely songs. her later 70's records are not so wonderfull but then thats only my opinion, some of us may feel different. happy listening everyone. 17 Jan 03 ·G400 Custom: Great song, this. I find much of her mid-60s output highly enjoyable, however throwaway they were supposed to be. 'Laisse tomber les filles' from around the same time is great too.
Take a Motown classic, a French conductor, a harpsichord, a sitar and something that could be either a melodica or a kazoo, and what do you get? I'm not sure either, but it'd sound a lot like this. A truly odd version that sounds vaguely off-key the entire time (although it seems intentional). A great example of the "Now Sound".
A nicely groovy easy listening instrumental from an album which is a very common item in British charity shops. It's nicely percussive from the start, with some nicely strummed guitar and Helmut's bizarre sounding low solo violin. It builds up to a full and funky orchestral sound - a real stomper...