A real up-beat number for a very cerebral tune! All AK's records are full of wierd moments and odd delights, this is the one from the set that aim's to please! It starts out with the groups signature harmonies in a acapella almost swingle-like mode, and then kicks in to a hybrid pop groove from heaven, with castanets clacking away ... And the lyrics are wild ! :..." What's the difference being different when it's difference now that looks alike, you say i'm changing and i'm not so sure it's wrong..." " It's just that centerline on this highway runs up my banjo neck, and I feel somehow that it's natural to be gone..."
Written by John Hartford. A name i've seen before, but i'm not familiar with his work. I'd like to know more if anyone knows his definitive recordings!
09 Jan 04 ·rio: John Hartford was a regular on The Glen Campbell television showof the late 60s, he wrote "Gentle on my mind" among other pop hits done by other artists.. talented writer and musician.. 18 Apr 07 ·artlongjr: Hartford was a favorite of mine as a kid, I used to see him on the Smothers Brothers and Glen Campbell shows, where he was somewhat of a regular. He was a celebrity back then for writing "Gentle on My Mind" which became a 60s standard. I do recall that he was a riverboat captain as well as a musician. He died a few years ago, which I was sorry to hear, but I've seen a number of his CDs that were on the market. I love his 60's stuff, he had a great laconic style.
This is one of my favorite Bacharach-David songs. It would be difficult to top Dionne Warwick's original, but Anita Kerr's jazzy cover comes awfully close. Kerr's arrangement is more muted and pretty - and when the drums kick in between chorus and verse, the results are breathtaking. Real cool!
from Reflect on the Hits of Burt Bacharach and Hal David (Dot) available on CD - Reflect on the Hits of Burt Bacharach and Hal David/Velvet Voices and Bold Brass
05 May 04 ·delicado: I was just about to recommend this. Isn't it a superb version!
And I am not just including this because it is from Rosemary's Baby, my very favourite film of all time. Well, maybe I am a little - the opening credits where Polanski guides us over the rooftops of the Bramford while Mia murmurs her "la la la"s sets up perfectly the movie heaven that is to come.
Actors usually make a hash of singing (and, of course, vice versa - Bjork is great in Dancer In The Dark but that's all I can come up with), although I've heard that Cybil Shepherd makes a decent stab. But Mia can't fail to impress with her innocent singing voice, keeping in the character of Rosemary even though she doesn't speak a word in this song. Komeda maintains his usual atmospheric wonder, with the sort of piano based joy that gave such a fruitful relationship with Polanski's films.
Lots of others have had a pop at this, usually with some degree of success as the melody is so strong (discounting a dodgy metal version of it by some chancers whose name escapes me). My favourites are Hugo Montenegro's (on Good Vibrations) and Claudine Longet's lyric-added version, Sleep Safe And Warm.
from Rosemary's Baby (Dot DLP 25875), available on CD (Tsunami)
03 Dec 05 ·Swinging London: I love this too! It seems to pull the whole movie into a class of it's own.
I've been trying to find the Claudine Longet version for years!
