A song that lives up to it's name. On the surface, a very easy-going trumpet, harpsichord and xylophone flutter about over a very tense rythm that hints as something sinister. An excellent use of contrasting elements to set a particular filmic mood.

If romantic, dramatic, emotionally fragile and beautifully orchestrated baroque pop with woodwinds moves you then you're blessed... by me.

The film this if from -- Sonny & Jed -- is a spaghetti western circa 1972. The soundtrack has some really nice moments like the beautiful track "Sonny" and this one which is an energetic sort of dance number. On spaghetti soundtracks, including Morricone's, it seems there is often an annoying dance number thrown in that sort of breaks the mood for me. Not so in this case. I particularly like the way uses the chorus and banjo here. For a while last spring, this track was more important than my morning cup of coffee.

It's an absolutely over-the-top hard soul dance tune. I first heard it on a soul compilation and recently, against all odds, I found the 45! Really cool mid paced groove with amazing guitar sound.

For a start we need more in the Australia section than Nick Cave and his assorted Combo's. Although I think the bass player from the Triffids now plays with him. And then I can't believe I've not recommended the Triffids before. This is quite an early one from when they were still playing London pubs. I don't know what its about (blood on my thighs and milk on my knees the sign outside says vacancies), theres lots of violin without it being folky or too countrified, and the chorus is insanely catchy with lines alternated between the late David McComb and Jill Birt the keybboard player. They were a big part of my musical life in the eighties, and 'In the pines' is still a great LP 15 years on.