nice one! i discovered chris montez lately and i like what he has done.
this song is a cover of astrud gilbertos song from the album "beach samba" (which i didn't recognize until reading it at allmusic.com) and begins with a nice organ-melody as an intro. i especially like the sound of that organ, it's a very sweet and not to heavy one. so that it fits perfect into the mood of this song and giving it a little more sweetness.
as always chris montez sings like a woman and if one doesn't know this it wouldn't be necessarily clear to one. (correct english....?)
while searching for chris montez stuff i came across "the more i see you" performed by montez which was covered last year by a onehitwonderband here in germany and you couldn't escape to hear it at least twice a day no matter where you were leaving and going. the cover was very strict arranged along montez' version. i wonder how i would think of the montez original if this onehitwonder band wouldn't have done this cruelty?!
anyway, last years summer was great anyway...(sex every day...)
and now, you go and listen to that montez guy!!

Energetic, hyper post-punk...
Les Savy Fav manages to create an ethereal feel within their Fugazi/Sunny Day Real Estate/[insert emo pioneer here] influenced cocoon of rock. It's a great tune to get you bouncy and riled up, shking your head and shouting whatever it is you think the lyrics are...

This is one of my favorite Bacharach-David songs. It would be difficult to top Dionne Warwick's original, but Anita Kerr's jazzy cover comes awfully close. Kerr's arrangement is more muted and pretty - and when the drums kick in between chorus and verse, the results are breathtaking. Real cool!

Driving and discordant, bittersweet, sad. This song is the most beautiful thing I've heard this week. In the mixtape of my head this comes right before Johnny Cash's "Don't bring your guns to town." A song you should listen to after you watch the evening news tonight... (released free as part of the protest records project: http://www.protest-records.com/ which is somehow associated with sonic youth.)

I was looking up and down the list and wondered "why wasnt there any Todd Rundgren"? This is one of my all-time favorites from him at his creative peak. Although sometimes his ego and additudes about the music business (and fans) gets in the way of me enjoying his music, on this track he keeps his ego in check and uses his melodic (and commercial) smarts to make this one of this greatest ballads.

This is just an wonderful track, along with a amazing Stevie Wonder meets Brian Wilson all synth production. Also check the solo piano version on his "Back to The Bars" 2-CD set.