A beautifully gentle and textured version of this song, led by some great group harmony vocals. These are backed by a gentle bossa nova beat, electric harpsichord, and strings which sweep in and out. Gentle and addictive listening.
from Roger Nichols and the Small Circle of Friends (A&M) available on CD - Complete (Polydor Japan)
09 May 05 ·rum: Oh there�s certainly no denying it, this track has an irresistibly seductive melody but there�s no chance I�d be seduced. Oh rum, you�re just being silly, she�d say, �don�t make a mountain out of a grain of sand�� silly?! I caught you in bed with the Mayor of Pensacola, Florida� this is no grain of sand my dear! But rum, it was just one time, a silly mistake, �one drop of rain doesn�t make the sun run away�, does it? Are you mad? What kind of reasoning is that? 17, 18� eighty-seven drops of rain wouldn�t either. So what are you trying to tell me? Am I to hold out for a rainstorm of two-timing before getting in a huff? The summer of love ended last September. This is 1968, the year of revolution, of fighting in the streets, of� but then she�d put her finger on your lips, �DON�T� go breaking my heart�� and look up at you with the innocence of a wee lamb. Oh, you so want to forgive her. Maybe I�ll give her just one more chance, it is such a beautiful melody� �I�ll love you till the sky falls down, even then� you�ll remain in my heart� Ahh, no, no, I�m not falling for that. I�m not an idiot, that�s impossible. Now I know you�re having me on. I�m not getting caught in your web of lies you, you, you� Your melody maybe sweet but your argument stinks. Go on get out, strumpet! ��come to my arms, forever�� No, no, clear off. ��teach my heart how to smile?...� OUT!
An amazingly warm and funky cover of the Chicago song 'feelings'. I know that doesn't sound like a recipe for success, but it really is very cool. The song degenerates into a huge jamming session at the end and carries on for 9 minutes. But it's storming stuff!
It's hard not to smile when you hear this lovely, rousing late 60s number. Roger Nichols is the composer (along with Paul Williams) of many late 60s and 70s hits for, amongst others, The Carpenters. He wrote this song with 'Pet Sounds' lyricist Tony Asher, and they created a beautiful combination of sunny soft pop sounds (handclaps, brass, group harmonies) and pleasing, happy words. Musically, it is superior and extra-catchy, with nice Bacharach-esque touches and great instrumentation. The lead vocal also deserves a mention for sounding almost supernaturally brilliant (far better than it sounds in the sound sample). The singer is Melinda Macleod; her voice is lovely anyway, but here it sounds as if 3 perfect takes have been somehow overlaid on top of each other to produce an incredibly rich, soothing effect. It's over quickly - in just over two minutes. At which point I normally listen to it again a few times.
from Roger Nichols and the Small Circle of Friends (A&M) available on CD - Complete (Polydor Japan)
13 May 02 ·PappaWheelie: I couldn't agree more. This is the epitome of what Pizzicato Five were trying to recreate in the early 90's. 29 Jan 03 ·klatu: I didn't realize someone had picked this one already! I spelled it "&" instead of "and". Excellent choice!
A storming upbeat bossa on the A & M label, produced by Sergio Mendes. It's a short track which sounds essentially like Mendes's Brasil '66 only better. Walter Wanderley or someone who sounds very like him adds some great touches on the organ, and the singers steal a refrain from Bacharach's then-current 'Casino Royale' movie theme 'Bond Street' and work it into the chorus. Really great stuff, written by a genius: Jorge Ben.
08 May 01 ·tinks: hey, bossa rio!! i have their "alegria!" lp on blue thumb, which was also produced by sergio mendes. really great covers of "spinning wheel", "blackbird", "girl talk", and a few more jorge ben tunes. 08 May 01 ·tinks: ...including the ben song "zazueira", which, coincidentally, i have recommended astrud gilberto & stanley turrentine's version of! 19 May 04 ·cambo: I was interested to note that the bass line from Jorge Ben's Saiupa as played by Bossa Rio (1969)(listen for break after long chorus) sounds remarkably like Gordon Gano's "Gone Daddy Gone" (1980). Is there any aknowledgement from GG on the Violent Femmes album?
