Starts out quietly, acoustic guitar playing the theme, joined quickly by discreet electric piano and stand-up bass, then Martyn's low, growly-yet-soulful voice starts repeating the chorus ("I don't wanna know about evil/Only want to know about love") like a mantra. Halfway through, the rhythm section kicks in, and you find yourself singing along to said mantra. Highly effective and very memorable.

Merely one of dozens of killer Simonal tracks (my favorite male Brazilian voice outside of Milton Nascimento), this one is a stellar example of joyous 60s pop, impossible to hear without seeing images of mini-skirt-clad girls dancing away on American Bandstand or something. Handclaps, a "pa-pa-pa-pa-pa" hook in the chorus, Stax-style horns, Simonal's deep, rich wonder of a voice, what more do you want?

A chunky, funky open drum breakbeat opens this supremely catchy song. It sticks in my head and at times I wake up simply having to hear it.

An unusual Marcos track, a 9-minute instrumental suite tucked away at the end of one of his most adventurous albums. Hugely recommended to Axelrod/Electric Prunes fans, as it sounds almost exactly like something from "Release Of An Oath" or "Mass In F Minor."

This lost Jorge Ben stormer has a rawer sound and harder rock edge to it than usual during this, his greatest period. Relegated to an obscure soundtrack LP, it stomps all over the place at a slower, heavier and more menacing tempo than anything on "Ben" or "A Tabua De Esmeralda." The beat is anchored by that famous acoustic guitar sound, heavy bass and a loud cowbell, as Jorge yells out improvised nonsense in a hilarious mix of Spanish and English! "Rock Steady-O!!" Must be heard to be believed.