A beautiful but simple guitar ballad, with Jack White foregoing his usual vocal theatrics and screeching. This song utilized really beautiful viola, one of the only times the band ever used outside instruments for a song. The most polished, elegant and beautiful of any of the White Stripes' songs.
The White Stripes' longest song at seven minutes, this song is amazing.
Jack White tells you how it is, and his voice takes on a sexy, drawn-out drawl. "I may not be your third man, girl/But it's a fact that I'm your seventh son". Genius.
The brief respite from all of the wild experimentation on the rest of the album, this track is Wilco gettting back to their country roots, while still exploring country's boundaries. Fun and joyful, filled with some rocking electric guitar not found on the rest of the album, this song is an much needed uptempo break on an album full of beautiful introspective ballads and acoustic sing-alongs.