DJ tomfoolery, a funky, formless response to "Close (To the Edit)" by Art of Noice. If anything, a nifty excuse to play Spot the Sample. Lots of scratching and drum machine beats complete the sweaty, mid-80s NYC feel.
available on CD - Def Jam Classics Vol. 1 (Def Jam/Columbia)
18 Nov 03 ·trivia: Fun fact: Original Concept featured Yo! MTV Raps personalities Doctor Dre (not Dr. Dre) and T-Money.
The Fifth Dimension were too sugary for my personal tastes, but they did record a few, heavenly arranged gems like this one. The indestructable theme of trying to phone a lover after he/she left is a wonderful bonus.
from Magic Garden, available on CD
12 Feb 03 ·konsu: Alright! I was gonna recommend this one too. This song illustrates perfectly the CA sound that Webb & Bacharach were crafting. Some people mistake this for a B.B. tune, and it's no wonder...
"Magic Garden" is a great album to seek out by this group, if you've been afraid before.I also like "Requiem : 820 Latham" & "Paper Cup". 18 Apr 07 ·artlongjr: I LOVE the "Magic Garden" album...I have it on vinyl, but I was fortunate enough to to get it on CD when it was released-it's now out of print. The album is a Jimmy Webb/Fifth Dimension classic. The only thing holding it back from perfection is a Las Vegas-y cover of the Beatles' "Ticket to Ride" that sounds out of place with the other material, all of which was written by Webb. But that's OK, a lot of great albums have one duff track!
I like the Fifth Dimension's early material, "Magic Garden" is their second album, but I also like their first and third LP's. Unfortunately, in later years they became too "show-biz" sounding, which causes some people to overlook all of their material.
Middle-Eastern '60s teenpop! Wild backup singers and a groovy guitar/flute solo add a distinctive, exotic touch to this lovers-from-different-cultures song. Still, it's Gene Pitney's incredible, dramatic singing that pushes this over into the "so weird it's wonderful" arena.
available on CD - 25 All-Time Greatest Hits (Varese Vintage)
It's strange hearing a sweet, soothing kiddie tune sung in German, with all its hard syllables. "Pinocchio"'s sugary, synth-based production can best be described as "ABBA lite". Mary Roos is a singer I know little about, except she once entered the Eurovision song contest with "Arizona Man", an early Giorgio Moroder composition. She's so appealing here, though, that I would like to look into her other stuff.
The name and artist may not be familiar, but I defy anyone not to smile in recognition at "Rye Bread". It was a composition that Edd Kalehoff conceived in the '70s as background music for the game show classic "The Price Is Right". It's not surprising why some of Kalehoff's cues are still in use today - they're much more imaginative and groovy than mere background music needs to be. "Rye Bread"'s peppy arrangement is fantastic (dig those drum fills!), and it never fails to put me in a goofy, "avocado pant suit" kinda mood.
