For me this is Youngs most delectible ballad. It makes me shiver. Orchestral country is a seam which has not been mined enough. The spirit of the song will strike a deep resonance with anyone young enough to feel childlike wonder but old enough to feel regret.

flim is the best aphex twin song it reminds me of a thistle blowing through a playground. i'm the thistle going through monkey bars.i've heard it coming home from so many raves its the subtlest most child like song...

This track begins with the sounds of a bong being puffed and the clicking of a metal lighter being flicked. This album is a winner, from start to finish. If you are a fan of the Cocteau Twins, Eno, Cluster, or Bjork, give this one a try! Perfect! Ambient Rock at its best. And very warm Electronica too! So good, you may hit the repeat button on your player more then once.

Interesting track. I like the effects to the vocal. Like the piano part too. The song tells a story and has almost a childlike feel to it. If you haven't heard of the artist, I recommend listening to this track first.

If there has been any really great re-discoveries in brazilian music as of late, Marcos Valle is one of them. The Samba 68' record is one of the few he gave to the USA, and we should be grateful!

This has to be THE most endearing duet I have ever heard. MV's wife of the time, Anamaria,joins him in a walk on the Impanema beach... hands clasped in the evening moonlight,stopping only to say to themselves "To look at delicious you, and know that it's all for me..." and continue their thoughts of possible love..." And you'd feel as I do, if you knew what I knew..."A childlike two-finger piano line emphasizes the naiveity of a young couple so eloquently and poignantly... against a backdrop of waves crashing softly from a string quartet....A song you'll never forget.

Back in the mid 90's, my booty was real far into the UK underground indie scene. For a short time, I was buying virtually all the 45's from a small coterie of labels and, of course, making sure I kept the inserts intact.

The Slampt Underground Organisation were, for a time, the UK's most uncompromisingly independent label. Their hearts were in the right place and their principles tight - against 'selling out', and for 'making music in your bedroom'. There was a real affinity with the riot grrrl / Olympia scene in the US, and Slampt had a way of looking at things not unlike Calvin Johnson and K records.

Avocado Baby were Pete and Rachel, the founders and organisers of Slampt. They released a handful of tapes and 45s on their own and other tiny record labels.

Steal Yo Sixes is about playing ludo. It's pretty daft, and the lowest lo-fi imaginable with a toy horn, xylophone and tape hiss being the only instruments. Still, it has an undeniable childlike charm, and due to its obscurity and short length, makes perfect mix tape / CD-r fodder.

There a line, "When we play ludo, why do I always lose-o?" that gets across the feel perfectly.

Doesn't everybody love a good collaboration? It turns out Noah Lennox's beachboy-inspired vocals fit in nicely with the sound-collage electronica of Bradford Cox's offbeat side-project, Atlas Sound. The tight vocal harmonies, and childlike sampled groove compliment each other perfectly.

Nothing too deep in terms of vocal content. It's one of those songs where the chorus is repeated about 800 times, but you can never remember the words.

Instead, this song is all about atmosphere. I'm a sucker for that bleached-out, 70's technicolor vibe lately, and this song captures it more effectively than most. The lo-fi skuzziness, however, only enhances its pop-perfection.

Enjoy before summer ends! This is the perfect doobed-up jam for driving to the beach on a day where you can see the heat. Happy listening.