This entertaining track opens with Astrud talking over a groovy guitar and piano background. As she starts to sing the words, the percussion becomes more pronounced, producing a nice bossa/funk hybrid. The production is very different to a lot Astrud’s work, probably because this album was from an obscure label (Perception) with contributions from different personnel than on many of her Verve recordings (e.g. Airto Moreira, Maria Toledo and Eumir Deodato).