In the late 1980s the Connells managed to produce some excellent songs which had an extraordinary amount of tension built into them, and this one is probably the best example (others are "Hats Off" and "1934" from the "Darker Days" LP). I don't know exactly how they did it, maybe it's just the rumbling bass combined with splattering drums and tambourine that gives the whole thing an edgy, anticipatory feel, but I sure as hell like it a lot.