Recorded live in London with Gary Peacock and Jack DeJohnette, this has to be one of the very best versions of this superb song, full of nuance and expression, yet not dripping with sentimentality.

There are many echoes of Morricone here of course, but they're incorporated into a sophisticated, subtle and original musical aesthetic rather than just being lifted.

I'm as unclear as ever about what Alison Goldfrapp is singing about in this song or indeed many others, but musically it's so very good that I am not too bothered.

Point of curiosity/interest: Andy Davis and Stuart Gordon of The Korgis play on some tracks on this first Goldfrapp album; Davis also plays on the follow-up "Black Cherry".

A good chunk of knob-twiddling electro-dance layered over a beautifully atmospheric string backing.

From the originator of Madonna's "Paradise" which is also included on the album.