just dreamy! the title fully corresponds to the mood of this track. i'm just a sucker for the combination of acoustic guitar and electronic instruments, and tahiti 80 masters that beautifully with this song. um, the perfect make-out song? what else can i say?

I've come to really like this band, but when I first heard them, I wasn't so keen. Like many great bands, Hefner feature a highly distinctive singer, who can take some time to grow on you. This simple 3 and a half minute pop song has an engaging arrangement, in which the piano, drums and guitar are superbly complemented in the chorus by synth, brass, and some great backing vocals. The chorus is quite glorious, with a chord sequence that somehow reminds me of the group Mercury Rev's very best songs. The words go very well with the emotional music as well: 'Lost feelings of love come flooding back/Every time you cry/ you give me little heart attacks/Love seems strongest when it's new/but that's something I can't prove/I can't prove that I love you...'

The only other reference point that occurs to me is Pulp - as the song builds, lead singer Darren Hayman's delivery becomes ever more exhuberant, like that of Jarvis Cocker in the best Pulp songs. Looking at the CD, I notice that the excellent backing vocals are by Amelia Fletcher, who if I remember correctly did some Wedding Present backing vocals, and was the singer in the Sarah records band 'Heavenly'. Anyway, this is a really infectious track, highly recommended.

This is a typical exemple of Noir-Music. Italian Noir Music. Very groovy and jazzy.

Cubismo Grafico -- aka Gakuji Matsuda -- has quickly become my favorite J-Pop act, and this here is one of my favorite tracks. My impression of J-Pop has been that it is either too overtly dancy or sickeningly cute for my tastes. (To be fair, my bias is based on a relatively small cross-section of music.) Anyway, this track is neither. This is an extremely well-constructed selection that strikes me as both very modern and very "easy" in a way that sounds good to my ears. On this track, Gakuki Matsuda is credited with guitar, steel pan, rhodes piano, mc-303, turntable, and voice. So, yeah, he seems like a talented guy. The music is structured around a child's narration of an amusement park attraction (found on the fascinating "Sounds For Little Ones" compilation of a few years back). The sample lends a fun, playful atmosphere. Delicado thinks he has spotted two of the musical samples used here (or at least the compositions used), and I'm pretty sure he is right. They're both very well known, and, much to the credit of this song, I'm amazed I didn't spot them myself. I'll give you a hint: one of them is one of Burt Bacharach's biggest hits.

It took me some time, but I'm finally really getting into Tipsy's second album, 'Uh Oh!' This track is a beautiful sound collage, with a slightly more complex structure than a lot of predominanty sampled tracks have. Its samples include celestial harps, gentle beats, middle eastern snake charmer sounds, old wordless vocals, and lots more wonderful sounding stuff I can't identify. The overall effect is rather intoxicating. My admiration for this track mixed with a touch of jealousy - I have some of the records being sampled here (for example, the 'Bacharach Baroque' version of 'Close to you' is clearly audible), but my own audio assembling skills are rather poor compared with those of Tipsy. If you haven't listened to Tipsy since 'Trip Tease', or even if you're just interested in creative sampling, I recommend checking this out.