Neo-New Wave Electro gets elevated to new hights with a sampled looping punk bassline, understated breakbeat work, and new girl of the moment, Melistar on dry-detached vocals.
from Kittenz and thee Glitz, available on CD (Emporer Norton)
Another Electro-Clash stomper that downshifts to gain that extra boost of energy to pass the competition. Again, unknown female vocalist "Melistar" appears, and often is mistaken for Miss Kittin.
from Kittenz and thee Glitz, available on CD (Emporer Norton)
Keith Carradine composed 'I'm Easy' and performed it in Robert Altman's 'Nashville'. His rendition won an Academy Award and a Golden Globe Award for Best Song in a Motion Picture in 1975.
Tolan McNeil of Carolyn Mark and the Room-mates covers it to great effect on the album 'Nashville', a tribute to Robert Altman's film.
Also appearing on this tribute album are Neko Case, Kelly Hogan, Carolyn Mark and Dallas Good (of Toronto's 'the Sadies').
from Nashville: a tribute to Robert Altman's film, available on CD (Mint Records)
20 Jan 04 ·umbrellasfollowrain: I'd really love to find this Cd and have been trying to track it down. When did you buy it?
'Destroyer' is neither a heavy metal nor a goth band. 'It' is Dan Bejar who is better known as one of the singers and song writers for Vancouver's 'the New Pornographers'.
'Sublimation Hour' is representative of Destroyer/Bejar's music. The music and lyrics are reminiscent of 70s David Bowie.
Be warned: Bejar's vocals are somewhat eccentric and not to everyone's taste (thank goodness the Pornographers have 3 vocalists).
Destroyer have a new album coming out October 8th (or thereabouts) on Misra: http://www.misrarecords.com/home.asp
from Streethawk: A Seduction, available on CD (Misra)
07 Jan 04 ·umbrellasfollowrain: I'm a big Destroyer fan. He's an amazing vocalis. I don't know what you're talking about. The new album wasn't all everyone had hoped for, but has a couple of good songs in particular "Students Carve Hearts out of Coal".
arguably one of my favorite faint songs. but they're all good. the faint is all about the eighties synth-pop aesthetic, but they reach out of that style enough to keep it interesting. a lot of their stuff, this song in particular, shows this keen sense of being able to combine the dark("macabre" even, if you will.) synth/drum machine sound and equally dark lyrics with catchy riffs in a way that keeps the pessimistic, shadowy side bubbling at the surface. kinda reminds me of joy division, not so much in the style (even though there are some points where the two sound similar) but in the general tone. 'the conductor' is all about the atmospheric key board drones and 'plunk' sounds, plus the vocoder thing they use on the vocals.
from danse macabre, available on CD (saddel creek)