Vocal version of the classic 'Exodus' Theme. Reverberated deep 60s stereophonic sound, Andy Tielman's voice, the powerful background choir and the reverberated guitars make this version a true masterpiece.
(there's an incredible story on the listener reviews at Amazon about this band)
This 1965 cover of a then new songwriter Randy Newman was a moderate hit for Cilla in the UK reaching No.17. It is superbly sung and arranged, indeed Randy Newman has said on numerous occasions that Cilla's version of this is his favourite version of all his songs. Dusty also recorded this in 1965, taking it slightly slower than Cilla, but an excellent version nonetheless.
available on CD - The Abbey Road Sessions 1963-1973 (EMI)
01 Oct 05 ·Flippet: I adore this recording. I don't understand why it wasn't an even bigger hit for Cilla at the time but I can totally understand why composer Randy Newman loves it. Cilla in her prime - unstoppable!!
This is one of the supreme examples of the ballad genre that Cilla Black excelled in during the 1960s. An exquisite song of love gone wrong, the track demonstrates the full depth, quality and range of Cilla's extraordinary voice - from the delicate soft tones to the full powered belt. A huge hit for Cilla in 1965, reaching #5 in the UK Top 40.
This is a cute, somewhat slight piece of sixties girly pop with a nice Tony Hatch production. The thing that struck me about this tune is how it sounds exactly like the ironic, girl groupy stuff Tracey Ullman did on her 'You Broke My Heart In 17 Places' album. I wouldn't be surprised if Ullman covered this at some point; both singers have a winsome, appealing quality in their voices that overcomes their lack of range.
available on CD - Call Me: The Songs of Tony Hatch (Castle Music)
A pretty 1965 pop song by Danny Hutton a few years before he got big as a member of Three Dog Night, the group which had a long string of hits beginning in 1969. There's a bit too much of that tinkling thing which I thought wasn't so prominent when I heard it on the radio, but maybe I'm wrong ...
But the best thing about the song in my opinion is the drum track! It's probably one of the L.A. session men, but whoever it is puts on an absolute clinic! Best bits: the one at the end of verse two, before the first bridge, which seems to tie up the song to that point in a nice bow, and the one before the second bridge which reminds me of the drums in Tommy Roe's hit 1962 "Sheila".
"Roses and Rainbows" is the first track on the double-CD Three Dog Night best-of.
from Pre-Dog Night available on CD - Celebrate: The Best Of Three Dog Night (MCA)