I cannot say enough good things about Blossom Dearie! She is truly one of those performers that everyone should have in their collection. This song is perfect for her singing style and she runs with it. You can almost envision her throwing her arms up in resignation to the fact that love is a pain but none of us can live without it.
This track is pulled from Blossom's only album for Capital Records. She is backed by an orchestra rather than the usual small jazz combo which better suits her intimate style, but she shines nonetheless.

This is such a great recording! Ms. Ross starts out as if she is going to whimper her way thru this sad little tale of a prostitute's life, then wham-bam (pardon the expression) she takes on the persona of Natalie Wood in 'Gypsy' and swings the song as if she is playfully strutting across the stage and smacking you gingerly with her long silky glove. She soon has you believing that she is going to drag you by the scruff of the neck back to her abode to give you a Russ Meyer-ish smackdown! Johnny Spence's orchestra provides her with just the right weaponry to bring you to your submissive knees all at no additional charge.

This song is the most recognised theme from any of the numerous Peanuts television specials. While I am a huge fan of Charles Schulz and his beloved comic strip characters, this song and the album it is pulled from could easily stand on it's own. Mr. Guaraldi is a master at jazz-oriented piano and his trio plays together like a well-oiled machine. The absence of any vocals makes his music the perfect background for dinner parties and gatherings where conversation is to be encouraged.

This magnificent track is from the oft-ignored years Aretha spent at Columbia Records. Most of her material for the label consisted of religious songs and jazz standards and she truly shines here. She sings with a sense of urgency and a slight cry in her voice as she pleads with her love not to abandon her. As much as I love her Atlantic catalogue, this song and the album it comes from are at the top of my Aretha Franklin list.

Nina Simone originally recorded this song in 1959, but it is during the live recording of it during a 1964 performance that she brings forth all of the emotion and true desperation of this song. You can sense her pain and resignation to the fact that she is soon to be separated from her true love.