One of the finest songs to come from o'rourke's bacharachisation. Lovely changes, brilliant lyrics and an epic ending which is as depressing as it is funny.

This is a great funky version of the jj cale classic. Groovy and sexy as can be.

Just one minute and twenty seconds long, this a perfectly distilled piece of Brazilian pop/mood music. The song consists of a simple, beautiful chord progression, which is repeated over and over. João sings a simple vocal over his guitar, and then some brass and strings come in to join him. The arrangement is stunning: sweeping and beautiful, with a delicate, sparkly sound at the beginning and end. It sounds very like the work of Claus Ogerman (who arranged the tracks on 'Amoroso', which appears on the same CD), but in fact, it's arranged by Johnny Mandel. Although this was recorded in 1980, it has a timeless feel. The entire Amoroso/Brasil CD is quite incredible. It took a few listens to really hit home, but has now become one of my 'desert island discs'.

This song is living proof that whatever you try to do, if you execute it well, the rest can take care of itself. Serge didn't even bother writing a song (this is just an arrangement of Chopin's prelude in E minor). But the song is excellent, and stands up to (at least several hundred) repeated listens. There's a slow, jerky beat, and a heavy bassline. Birkin's delicate vocal works well with this backing, and the whole thing has a very hip feel.

An exciting instrumental version of Los Bravos' hit single, done sitar-style. Playing pop music on the sitar must be difficult, since it never was the most melodic of instruments. Lord Sitar is the best I've heard of the psychsploitation musicians that briefly came into vogue around 1967 or so.