style: pop, downbeat. Smooth, easy, just the right amound of bossa, drums, synthesizers. Kim is just a great song all around and only 7 some minutes long. But you don't ever want it to end. Keeps your head nodding. Burgalat is the master of instrumentation as much as Sean O'Hagen is to the High Llamas. He can produce a mellow, warm, lush sound like no one else at the moment.

I think this is my favorite version of 'Miserlou'. A really scintillating one, backed by Edmundo Ros's band, with a lot of bongos and an extra little 'Ba Ba Ba' rhythm added in. I believe the US pressing of this superb LP is called 'Fire and Frenzy', but my copy, oddly, is Brazilian, bought in Holland, so I'm entering the title as it was on the record. To me, the album is quite the best thing I have by either Caterina or Edmundo, and I'm quite a Caterina fan, so that's saying something.....

I think that it is rather telling that the first words you hear on Air's new album are "we are the synchronizers". I have owned this CD for less than 24 hours and am currently on my seventh listen...to some people, that's natural, but not to me. I have to admit, this is quite the anomaly for me in general. It's much, uh, "proggier" than their first record, a fact well-evidenced by the cover art. In fact, it's quite a bit proggier than anything else in my record collection, but I can't seem to get enough of it. I'm having a very difficult time picking a particular song to recommend, so I'm arbitrarily choosing this one. I was a bit worried that I would be disappointed by this, considering how much I love "Premier Symptomes", "Moon Safari" and the "Virgin Suicides" score, but that was not the case. Get this album, I cannot recommend it highly enough.

An incredibly perfect easy listening piece, this opens with an other-worldly, John-Barry-ish synth sound, and then leads into a groovy, lightly funky piano riff, with shimmering strings. Francis Lai's signature organ sound carries the tune as the song builds into a dramatic orchestral pop masterpiece. A standout track, with superb wistful, lazy, summer day feel, rather like some of the best tracks on the 'Sound Gallery' compilation of a few years ago.

A very cool and swinging jazzy pop vocal. Michel's range is quite remarkable, and there are some cool backing vocals too. About halfway through of the song, some completely over the top scat vocals kick in, and two different vocal Michels carry out a nonsensical scat 'conversation' until the end. Definitely an unusual way to complete a song, but it works fantastically.