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467 tracks from UK have been recommended.
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37 Hours (In The U.S.A.)  performed by Raw Stylus  1995
Recommended by eftimihn [profile]

Raw Stylus effortlessly combined british acid jazz elements with sophisticated, elegant Steely Dan-esque american jazz/soul/funk. In fact, like on this track, the music sounds very much like a Steely Dan backing track with warm Fender Rhodes keyboards, precise horn section, funky rhythm section and jazzy guitars. Which really isn't much of a wonder when looking at the credits of the album. Let's see: The album is impeccably produced by the Dan's producer Gary Katz, features an incredible amount of fine session musicians including Steely Dan regulars (like Bernard Purdie, Randy Brecker or Hugh McCracken), has even Donald Fagen providing synths on "37 Hours (In The U.S.A.) and they even embedded some chords of "Josie" in the song. Unfortunately, despite the talent, Raw Stylus remained a one album band to this very day, kinda sad actually...

from Pushing Against The Flow (Geffen 24822), available on CD



Black Cherry  performed by Goldfrapp  2003
Recommended by robert[o] [profile]

The title track from Goldfrapp’s second LP is everything pop music should be – sexy, glamorous, smart and weird - but rarely is these days. If their debut album was all about, in the duo’s own words, “Ennio Morricone and disco”, then the follow-up is all about disco and…Ennio Morricone – only wrapped in a shimmering gown early 1980’s inspired electronic textures. Electro-clash with heart and soul, a Madonna song with 170 I.Q., a tune for Milva to sing on Moonbase Alpha – I could go on and on…

from Black Cherry, available on CD



  22 Nov 04 ·eftimihn: Excellent recommendation and great description. Unfortunately the only track off their sophomore effort that can moodwise hold up to such exquisite songs like "Pilots" or "Utopia" from their debut.
  23 Nov 04 ·robert[o]: I actually dig the second LP a great deal. Very disco/electro, (as opposed to Ennio), but really high quality disco/electro. (And simply delivering a "Felt Mountain" Part II would have been a bit dull - I think.) "Forever" and "Hairy Trees" are pretty darn exquisite, likewise.
  07 Dec 04 ·catfish: a beautiful track that simply melts into your ears. You get the impression that something very naughty is going on but never quite sure exactly what. Has Rachel Stevens ripped this band off or what?
  12 Jan 05 ·OneCharmingBastard: A sumptuous moment from one of this decade's most solid slabs of sound.
Muscle Museum  performed by Muse  1999
Recommended by amused [profile]

Amazingly atmospheric, great bass line with the vocals, guitar, bass and drums interwoven incredibly. Hard to describe but deffinitely my favourite song from this excellent album.

from Showbiz (Mushroom)


Love’s Secert Domain  performed by Coil  1993
Recommended by robert[o] [profile]

A moment of silence, (and/or eardrum-shredding noise), please folks, for the memory of the late, great Mr. John Balance of Coil who passed earlier this month. This track is one of my favorite “songs” by this organization, the title track from their sardonic exploration of club culture in the early 1990’s. Coil were never an “industrial” band – though they could create tracks of brutal, grinding sound. They were always too musical, too playful, too smart. On this tune – and there is a really catchy tune here – Balance does his best Christopher Lee impression, growling/singing of love as sickness, mixing quotes from William Blake and Roy Orbison, over a backing track that sounds like H. P. Lovercaft does Esquivel. Brilliant stuff from a brilliant man, who will be missed.

from Love's Secert Domain


for whom the bell tolls  performed by fad gadget  1982
Recommended by san serac [profile]

My god I like me some Fad Gadget. This song is claustrophobic, frightening, medieval, electronic and strangely exciting all at once.

from Under The Flag (Mute)


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