There is much that U2 did in their first three albums (Boy, October, War) that have been forgotten by the clout caused by their next three (The Unforgettable Fire, The Joshua Tree, Rattle and Hum). When people say they don't much like U2, it's largely based off of only the singles from War up through Achtung Baby. This song is representative of songs, for even some sincere U2 fans, that have been forgotten injustly. Brilliant structure and chords, somewhat cheesy but ultimately highly forgivable middle section.
This is a song that was written in Denmark by a very good friend of mine, it starts of with a piano solo accompanied by a harmonica. It is a very simple yet very deep and effective song. You can listen to it on www.myspace.com/henrysails or on www.henrysails.com
Gavin Friday (formerly of The Virgin Prunes) has created an excellent 'Lounge' or 'Cabaret' sound with this song (and the accompanying album).
This song is very sensual full of unique large sounds and passionate lyrics.
Excellent song AND album for a romantic night.
The first 1 minute and 23 seconds of this are beautifully adapted from the main theme of Morricone's "Once upon a time in America" ("Deborah's theme"). Well, the first line of the vocal melody of this is actually directly lifted from Morricone's first line, but we won't over-emphasise the point. (I just hope Ennio got his royalties!). The vocal performance of Shane McGowan of the Pogues is something one can either see some merit in or not, but it has a certain musical expressiveness.
The same "Deborah's theme" is used again repeatedly in the second half of the track, particularly the instrumental fade, but nowhere with the effectiveness of the first 1:23.