My personal favorite version of this song. Cilla Black has a very rich and powerful voice that is just right! She sings it with much more feeling than Dionne Warwick's more popular version a year later. Burt Bacharach originally wanted to use this recording on the soundtrack to the film 'Alfie', but Ms. Black declined.

Reminds me of my college days where I first heard of STP while watching MTV at about 4am instead of sleeping or studing...the video I saw was actually for Sex Type Thing, but after getting the CD, I found Creep to be one of my favorite. I actually like most of the items on this CD however. This song's got a pretty mellow sound to it, with a very strong and powerful set of lyrics that blend quite nicely.

It's an interesting and refreshing track from their latest album; very upbeat and powerful with its array of instrumentation, (piano, oboe, especially)
The lyrics are those of one professing their undying love for another. The band manages to keep up their tradition with providing something new to the table by adding a verse from a popular French opera as well as an oboe solo instead of the usual generic guitar.
It's a great listen :)

An indescribably brilliant 50s-style rock'n'roll ballad, with vocals by the inimitable Marquis de suave. The musical setting is breathtakingly authentic, and the emotions are raw and powerful, as the vocals screech 'in my dreams...../I dreamed you didn't want me...' It's extremely hammed up and over the top, but quite wonderful all the same. Most of this band went on to form the excellent Flaming Stars.

Wonderful (nearly) instrumental Big Band arrangement, short but with a dynamic plot with gently humming singers and powerful horns. In my opinion a great and swinging piece of art, it makes me think of the gone era of great gala shows.

Incredible. Loretta Lynn's incredible and powerful voice carries over the fuzzy distortion and wailing guitars in a song that is sexy, mysterious and gorgeous. Jack White once again proves his brilliance as a guitarist, while his vocals sound perfect when put up against Loretta's. An amazing duet.

This song has been getting a lot of well-deserved attention lately as a re-issue. This is a pants-wetting monster, with a tough, stunning, and powerful sound that really defies description. It's richly soulful funk, slow, psychedelic, pensive, viscous, and extremely affecting. A great variety of sounds in the instrumentation, rhodes, flute, baritone sax, sax, congas, bass, guitar, drums, with no single instrument dominating the track. All the instruments shine together however, in a very spare and sensible arrangement. We should all be thankful that this was found and once again given some proper spotlight.

A long track (23 min) with orchestral sound. About the album: "Lift Your Skinny Fists Like Antennas to Heaven is unusual in being structurally and conceptually closer to a symphony than a conventional pop or rock album. The four tracks are composed of internal movements, with different sub-titles, that fade into each other. The whole album is instrumental, except for sampled voice inserts, and starts with an almost orchestral crescendo somewhat reminiscent of Ravel's Bolero." (http://en.wikipedia.org/) <- basically the same goes for the track.

I like it because of the dark and powerful feeling it conveys.

Sound is suttle in the beginning- (a mute organ is playing)and rises gradually. Voice is insanely calming.
The song has so much meaning and it just makes you think about what's out there and it'ss my fav song write now. It's kind of a love-song- but it makes me think more?

This is an amazing song. Even if you hate it, it's amazing. It sounds evil, and glorious, scary, and ecstatic, all so quickly and powerfully. I don't know how to describe how it sounds, other than a tad insane. And beautiful.

The 9:52 long track immediately blasts you off your feet with a ethereally heavy series of riffs and Aaron Turner's rough vocals. Keeping it interesting, the structure continues to evolve, and drifts downward into a more dreamy movement which stays dense and builds the tension for the following verses. About halfway in, the song reaches the first climax that (I think) embodies the "Threshold" in the song title. After which, it moves into a more contemplative section, smoothing out the turmoil and tension brought on by the first half, while building its own. Beautifully, it succeeds in building yet another crescendo, only to end in free fall, with guitar and bass fantastically accenting the mood. The bass in this song is truly something to behold, wavering and powerful in its tone.

What I like about this song reflects on why I like Isis' music in general: it's complex, atmospheric, emotional, intricate, and smart. It truly is "thinking man's metal." Isis is all about themes and atmospheres, emotions and vibes, rather than clear ideas and lyrics. It's visceral, raw, and transcendent. And in some ways, I think this song embodies everything that makes them great.

One of Dusty's best tracks ever. There isn't much that she isn't willing to endure just to hold on to the one she loves. Dusty's perfect voice is wonderfully supported by great orchestration and powerful backing chorus that bring out the emotions and make this one of the most outstanding performances of the twentieth century!