Very well arranged, fully orchestrated bossa nova piece by the otherwise rather obscure Stelvio Cipriani. Very warm, breezy,summery feeling on this one with it's light beat, lush and silky strings, great melody played on trumpet and harpsicord. It's very resembling of the Morricone sound of the late 60s/ early 70s, in fact you could easily fit this one onto the first "Mondo Morricone" compilation it's so good.

Here's another recommendation from the great third "Canto Morricone" compilation. After Milva, Mireille Mathieu was the second artist to record a whole album of Morricone songs and this song was no rearrangement of a film song but exclusivley penned by Morricone for Mathieu and also conducted by Il Maestro himself. Mathieu is in excellent form here and the arrangement is as good as you'd expect from Morricone. Bear Family Records did a fantastic job here, including 7 songs by Mathieu, 4 of them have previously only been available on singles, two of these songs, "Nata libera" and "Quando verranno i giorni" were even transfered from vinyl since the original mastertapes couldn't be retrieved. Kudos to Bear Family Records for this great effort.

This track is simply outstanding, a showcase for Nicolai as well as for Edda Dell'Orso. It's insane how this is put together: funky rhythm section with drums, bass and acoustic guitar, loads of brass throughout, reverb-laden plucked strings interchange with sweeping, floating strings and an incredible vocal performance by Edda Dell'Orso. Hard to describe how magically this is woven together...

Incredibly breezy, silky smooth and gentle sounding tune this one. With a laid back samba rhythm, male/female wordless vocals some soft strings in the backround and some electric and acoustic guitars thrown in, this track is a great example for Martin B�ttchers superior talents as arranger and orchestrator. The whole compilation "Sound Kaleidoscope" is very well done, featuring 25 tracks from the mid 60s to the mid 70s. Highly recommended.

Lovely, mellow bossa nova track. Coralie Clement is the sister of Benjamin Biolay, who wrote almost all the songs on the album and produced, arranged and played a variety of instruments on it. There's a timeless quality about this song, certainly due to the fact the arrangement is simply impeccable and delicate and Coralies whispery, rather flat but warm, sensual voice sounds like a cross between Astrud Gilberto, Claudine Longet and Jane Birkin. The whole record is a quite a gem.