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Festy
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Festy [profile] has recommended 21 tracks.
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Movin’ in the Right Direction  performed by Steve Parks  1981
Composed by Steve Parks

This has been a favourite of mine for years. If the sun's shine was converted into music, it would sound something like this. Released in 1981 on Steve Parks' only LP release (as far as I'm aware), this oft compiled track has stood the test of time. Another track I don't tire from listening to.

from Movin' in the Right Direction (Solid Smoke Records SS-8012)
available on CD - Soulful (Luv N Haight)



Rei do Carnaval  performed by Ivan Lins  1974
Composed by Ivan Lins

Ivan Lins is a prolific song-writer, with his songs being covered by many artists from Brazil and beyond. Chances are you would've heard one of his songs before as they've been covered by names such as Sarah Vaughan, George Benson and Mark Murphy to name a few. This track is the opener from his debut 1974 album 'Modo Livre'. The CD reissue doesn't list the musicians on the album but it sounds like Sivuca singing parts in this - if not, I'm sure he was an influence. I like the way this song shifts from a feeling of happiness to a moment of 'concern' (not sure how to describe it, but that's how I hear it) in a single chord change only to return to its originally feeling. At the end there are some swells on the strings that just do something to my insides. Amazing how something so simple and fleeting can have such an impact.

from Modo Livre, available on CD (RCA)



James Brown  performed by Nancy Dupree  1970
Composed by Nancy Dupree

So, the song is called 'James Brown' and is written by a teacher, Nancy Dupree, with her students who are heard singing. It was recorded in 1970. By all reports a strong-headed and hearted woman, Nancy Dupree had much motivation for social causes and artistic output which didn't reach far beyond her home town of Rochester, NY, until the last decade or so. It was during this last decade that I first came across this track on a German compilation focussing on 'black movement' songs.

The track itself is interesting, but obviously very serious for the students as they sing about their hero. It's innocence, yet clear ability to capture a moment in time, is probably more real than many blaxploitation or struggle albums that were recorded around the same time. Ultimately though, it's one of those tracks that is unusual and makes me think "how did this come to be?". I think we should all sing:

Ugh... With your bad self
Ugh... It's funky
Ugh... I can�t stand it
Ugh... Good God

from Ghetto Reality (Folkways Records FC 7520)
available on CD - Black & Proud Vol. 1 - The Soul Of The Black Panther Era (Trikont)



VJC  performed by Clifford Coulter  1972
Composed by Clifford Coulter

This is one of my all-time favourite tracks - most probably in my top-5 - and is a perfect example of what I understand "jazz-funk" to be. I came across it many years ago on a compilation put out by French label "Big Cheese Records". I hunted down the album it was from (not sure if it's been re-issued - or if it has, it hadn't been then) and was pleased to find that the whole album was strong with most songs carrying a similar vibe to VJC. Those that were different, were still great.

I'm not sure what VJC stands for. I wonder if it's the initials of someone close - his mother or another familiar member perhaps? Throughout many of the tracks, he seems to be playing a character with chatter between the tracks leading one into the other leaving.

from Do It Now - Worry About It Later (Impulse AS-9216)
available on CD - The Meltdown (Big Cheese Records)



Niki  performed by The Third Wave  1970

It took me a while to get a copy of this album as even the out-of-print re-issue on Crippled Dick Hot Wax (that's the name of the label, folks. Promise!) sells for a bit these days. I'm glad I got it as it's a fantastic album - the only LP released by the 5 Filipino/American sister vocal group, although I think they released at least one 45". Discovered by George Duke, he wrote the arrangements and his trio of the time provides backing. The album was recorded in Germany (released by MPS) and is a little bit poppy, a little bit jazzy, a little bit funky. There are a number of songs which could be recommended (a number of them jazz standards, such as 'Maiden Voyage' and 'Cantaloupe Island'), but the one I've chosen is 'Niki'. I hadn't come across this track before getting the album, unlike a few of the other tracks which have turned up on compilations over the years.

'Niki' is a song that builds. It starts off fairly casually and builds up to a swinging chorus, accented by some very hip playing by George Duke, still on an acoustic piano during this stage of his career.

Another commendable and notable track on the album, and which I discovered through a compilation created by 'mine host' of Musical Taste, Senhor Delicado, is "Waves Lament". Absolutely fantastic.

from Here & Now, available on CD



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