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You searched for ‘space’, which matched 81 songs.
click - person recommending, year, performer, songtitle - to see more recommendations.
Bicho do Mato  performed by Elis Regina
Recommended by PappaWheelie [profile]

Many may already be aware of this samba due to Walter Wanderly's space-age tinged organ instrumental version, but Elis's original vocal version is far more powerful with relentless horn blasts. It also demonstrates her range of emotions put into the performance as she goes from delicate to belting.


available on CD - Samba Soul '70! (Six Degrees)




  ambassador: I believe the original version (by anybody) is on Jorge Ben's "Ben e Samba Bom" on philips from the mid 60s.
So Much Beauty In Dirt  performed by Modest Mouse
Recommended by Reina [profile]

Great little song. About finding beauty in everyday life. Short and sweet.


roll down the windows and open our mouths taste where we are and play the music loud. Stop
the car, lay on the grass, the planets spin and we watch space pass.Walk a direction, see where we get. I never knew nothin' so there's nothin' to
forget.




Oblighetto  performed by Brother Jack McDuff
Recommended by mr_klenster [profile]

No one's recommended this? This song is unreal in so many ways. First, it sounds like relaxing lounge jazz, then all of a sudden it changes into music for a Scooby-Doo episode, then the strange wailing comes in and you're floating through the deep void of space in an alternate reality without worrying about oxygen or the laws of physics. That is all within the first minute of the song. And then, and then, let's not forget the way the Brother kills on the organ, my friends. Then there's the sample appeal, most obviously this was slowed down for A Tribe Called Quest's "Scenario", and recently reworked by Jay Dee, in that trademark handclap hitting, hypnotic head-nodding Dilla fashion.





Das Licht  performed by Ruth Hohmann & Erbe Chor
Recommended by HoboTech [profile]

Incredibly haunting melody from East Germany's 60s sci-fi series. This song brings half remembered experiences of things yet to come into my mind. Quite soothing.

from Kosmos - Soundtracks of Eastern Germany's Adventures in Space


little dots in space  performed by the boston post
Recommended by purrrgatory [profile]




the tradesman’s entrance  performed by faith brothers
Recommended by rono [profile]

This song is a moving tribute to the working man. It inhabits the same headspace (and heartspace) as "Shipbuilding" by Elvis Costello (or was that Robert Wyatt?). It is from a great record called "Eventide" that features some superb songs with great melodies and excellent horn work. It has a very spiritual bent; quests for justice and redemption prevail. Wish I could find it on CD!
Contact me if you know where and/or how to get hold of it.




a space boy dream  performed by belle & sebastian
Recommended by morning belle [profile]




ladies and gentlemen we are floating in space  performed by spiritualized
Recommended by morning belle [profile]

holy monk. ethereal. just ethereal.




two spaces  performed by frank black
Recommended by facco [profile]




space travel  performed by yellowcard
Recommended by deehdoubledee [profile]




Mungo City  performed by Spacehog
Recommended by Sulku [profile]




Gorecki  performed by Lamb
Recommended by Economusic [profile]

Love her voice, and the whole feel and flow of the track.. very spacey!!

from Lamb


Creole Love Call  performed by The Comedian Harmonists  1933
Recommended by delicado [profile]

An amazing and atmospheric track by this famous German vocal group. There are no words, and the music is produced largely accapella - from what I can hear, there's just piano accompaniment, with some incredible vocal effects that range from beautiful to plain bizarre. The trills and glissando effects are other-worldly, but what really steals the limelight is the tradeoff between a bizarre kitten-like voice and a deep foghorn at 2:12 (featured in the clip)!

None of this will make sense until you hear it, so let me just add that the whole thing has a really pleasant, lazy mood that strongly reminds me of that amazing scene in 'Wild at Heart' when Laura Dern is sat on the car at the gas station and Glen Gray and the Casa Loma band's 'Smoke Rings' is playing.


available on CD - The Comedian Harmonists (Hannibal)




  Turangalila: This track is marvelous, thanks for the heads up.
The Moon Was Yellow  performed by Ferrante and Teicher  1957
Recommended by texjernigan [profile]

These guys did some weird effects using pianos, ending up with spacey percussive effects.

from Heavenly Sounds In Hi-Fi



Shooting Star  performed by Les Baxter  1958
Recommended by nighteye [profile]

As Delicado said in one of his track recommendations: "Les Baxter's work is under-represented on this site". To try and change that here's a recommendation of another of my favourite Baxter songs.

Get in your space-ship and get ready for your first space cocktail. The mood of this song truly represents the 'Space-Age' everybody was anticipating in the late '50s and early '60s. We've got a happy fast paced beat, with bright strings, pianos, vibraphones, flutes and what not. Not that unfamiliar to the KPM library music from the '50s. I can't stop listening to this song, I only wish it was a bit longer.

from Space Escapade (Capitol Records)
available on CD - Ultra-Lounge Volume 8: Cocktail Capers



Rocket Number Nine Take Off For The Planet Venus  performed by Sun Ra and His Arkestra  1960
Recommended by executiveslacks [profile]

I've been listening to Sun Ra a lot lately and am mesmerized by this song. As far as I'm concerned, it's the perfect blend of jazz and avant-garde. Throw in a space theme (what else?) and you have a classic.

from Easy Listening for Intergalactic Travel, available on CD


So um amor  performed by Shorty Rogers and his Giants  1961
Recommended by delicado [profile]

A short, but astoundingly catchy instrumental in the bossa nova style. This is led by guitar and bass, with subtle stabs from the horn section. It's hard to put into words how clean, yet edgy and catchy the sound is. Somehow, in spite of all the instrumentation, there is a lot of space in the mix. This is from an LP on reprise called simply 'Bossa Nova', with a generic looking sleeve that is also used for a much less bossa-inspired Barney Kessell LP.

from Bossa Nova (Reprise R-6050)



Female of the Species  performed by Meg Myles  1961
Recommended by FlyingDutchman1971 [profile]

I can just imagine people sitting in a seedy New York movie theatre on 42nd Street back in 1961 watching a b-movie called "Satan in High Heels". The film is in its last reel and suddenly the main female character comes out on the nightclub stage wearing a leather outfit complete with 6-inch dominitrix boots and a riding crop! The music swells and she starts to sing:
---
i'm the kind of woman, not hard to understand,
i'm the one who cracks the whip and holds the upper hand
I'll beat you, mistreat you, til you quiver and quail,
the female of the species is more deadly than the male.
---
This little film isn't likely to have ever had a soundtrack album which in a way is sad because in addition to this camply little gem there are a couple of other cute vocals by Meg Myles and the other actresses in the film and some great jazz instrumentals sprinkled throughout as well. The fine folks at Something Weird Video have kindly put this little film out on DVD. You can also catch the scene containing this song on their compilation of movie trailers (where I first discovered this film) released to inform people of their DVD catalog.

from from the film "Satan in High Heels" (Something Weird Video www.somethingweird.com)


Bahia  performed by Michel Magne  1962
Recommended by bobbyspacetroup [profile]

A psychedelic Exotica classic. It really must be heard to be believed. For starters, Magne raises the genre's hallmark bird calls way, way over the top. Some of them sound like Donald Duck, some sound like theremins. Then there is the spaced-out arrangement which integrates the bird sounds and pushes the familiar melody in totally bizarre directions.

from Tropical Fantasy (Columbia CS-8493)



Twilight Zone  performed by The Spiders  1966
Recommended by delicado [profile]

For many years I've continued my life under the misapprehension that one version of the Twilight Theme (in my case, the original Marty Manning version) would do me just fine. But this tremendous Japanese group sounds version is unmissable. Lots of random sound effects with a heavy influence from The Ventures in Space. It kicks off at 1:08 where the drums stop and the sound effects just take over. Lots of random twanging and watery bits. Really cool sounding. Then at 1:40 the drums come in hard and funky. There are a few more little breakdowns and it ends in total chaos leaving you feeling the aliens definitely are coming!

Basically it's a very well executed recording.


available on CD - GS Box Set


This Afternoon  performed by Chad Mitchell  1967
Recommended by konsu [profile]

I almost know nothing about the Chad Mitchell trio, except that John Denver was in the group. I'm not even sure that this is the same guy for that matter. I guess it's really not too suprising that an old folkie would team-up with geniuses like Bob Dorough & Stu Scharf for a little boot in the ass, since those guys seemed to be working a lot of crossover pop material. That's really the reason I picked this up, basically to see what could happen.

The record ends up being incredible actually. Imagine a mix of "golden throat" type schmaltz, Tom Rapp-ish hip folk, Nilssonesque melodrama, and the poetic and jazzy humor of Scharf & Dorough and that will sum it up. It can grow on you for sure.

This track is in the sort of word jazz thing in a highly characterized way hard to describe without taking up too much space... just listen. I think this was a piece from an Alan Arkin LP. Suppose I will have to get one of those now.

from Love, A Feeling Of (Warner Brothers WS 1706)




  b. toklas: The album "Chad" on Bell records is the one to get. Great songs (by Jake Holmes, Joni Mitchell and others) and fantastic arrangements. Hal Blaine and a couple of other wrecking crew members and great musicians are on it, too. In places it also reminds me of the group H.P. Lovecraft. So it might even be interesting for lovers of psychedelic music (not for those who hate strings, of course). I wonder if I should call it a masterpiece.
  artlongjr: I second that on the "Chad" album...it's terrific. There's a 7-minute plus cover of Tim Buckley's "Goodbye and Hello" on there that rather stunned me, since it seems like a very challenging song to sing. The H.P.Lovecraft connection comes through Chicago producer Bill Traut, who owned Dunwich Records (the album is a Dunwich production). Traut was involved with H.P. Lovecraft, and of course the Shadows of Knight.
Winter Warm  performed by Bob Crewe Generation  1969
Recommended by delicado [profile]

A great, spacey, upbeat track by music business impresario Bob Crewe. This is basically just very nicely dressed up brassy easy listening instrumental music. The arrangement has a cool 'Barbarella' sheen to it, with spacey sounds alongside the bouncy strings. A nice track from a great album.

ps. the inside gatefold sleeve of this album uses the same photo as the cover of The Smiths's 'Rank.'

from Music to Watch Birds by (Dynovoice)


Juliana  performed by Antonio Adolfo & A Brazuca  1969
Recommended by gregcaz [profile]

Adolfo and Gaspar strike again with one of their biggest hits, this time performed by their own band, a sort of home-grown space-age answer to Brasil '66, with an early Fender Rhodes providing counterpoint to the two female vocalists' ethereal and spacy tones. Irresistibly catchy and with an intriguing overall sound, this sounds like the music the Jetsons would be listening to if they were Brazilian.

from Antonio Adolfo & A Brazuca (Odeon)



your hidden dreams  performed by white noise  1969
Recommended by olli [profile]

great electronic effects-laden psychedelia from their 1969 album "an electric storm". a spooky and beautiful track with lots of echo and spacy non-melodic digressions. oddly, it stays quite coherent despite all the insane stuff going on in the background. Female singer, beautyful breathy voice, kind of a "nico light-" thing going on.
the track "firebird" from the same album is also highly recommended.

by the way, i�m pretty sure each member of broadcast have their own copy of this album. The song "marooned" on wire's 1978 album "chairs missing" shares some melodic qualities with this track. would probably sound great if mixed together..

(if you're interested in aquiring the whole album, it�s pretty hard to come by, at least in vinyl form. i think it's been reissued on cd by some obscure label, but as i only have a cd-r copy, i'm not sure. side a is very good, but from what i heard they ran out of studio time, forcing them to make side b a bit more...shall we say, "experimental" in order to make it lp lenghth...)

from an electric storm




  standish: My dad's prog-rock friend brought this album over when my dad got his first proper stereo in 1972 and played us the scary side... These days, I love "Firebird" and "Here Come The Fleas". Quirky UK electronica by (BBC Radiophonic Workshop) Delia Derbyshire and David Vorhaus.
Space Oddity  performed by David Bowie  1969
Recommended by Mike [profile]

As we all know, it has that typical late 60s "rock group with string section added on" sound. I recommend it here mainly because I *love* the change in mood and minor tonality that comes with line "Ground control to Major Tom, your circuit's dead - There's something wrong" which comes after "Tell my wife I love her very much - she knows". The diminished 7th chord under the words "Major Tom" is, well, sublime.

The song was produced by Gus Dudgeon who went on to produce most of Elton John's classic material, and features Rick Wakeman amongst several subsequently famous session musicians. The Wikipedia articles on the track and the album it came from are interesting, well-written, and seem well-researched (unless anyone wants to disagree).

from Space Oddity (Philips)
available on CD - lots (EMI)


bonnie and clyde  performed by serge gainsbourg  196?
Recommended by olli [profile]

Come on! how come nobody's recommended this yet?
great repetitive, driving string backing, fantastic hiccup-monkey-like vocal hooks, faboulous performance.
essential.
(stereolab has an absolutely fantastic slow twangy version of this on the album spacey double spiral. very, very highly recommended.)


available on CD - comic strip



  ronin: Relentless violin beat, depressing song, memorable, moves toward its inescapable conclusion...makes me think of a well loved coworker who died in '01.
  sonore: the "stereolab version" wouldn't happen to be the Luna (feat. Laetitia Sadier of Stereolab)'s hidden track from the Penthouse LP would it? Anyway, the Luna f. Laetitia version of Bonnie & Clyde is absolutely fantastic. : )
Twangy Brisba  performed by Berry Lipman  1970
Recommended by HoboTech [profile]

Space should only be this fun! Jazz-Funk surrounded by space age synths with a disco beat. Lipman is one of Germany's cheesiest composers, but when he gets it right people stand up and applaud. This album is some of the best sci-fi music ever.

from Star Maidens - The Girls From Space, available on CD


space age lullaby  performed by jackie lee  1972
Recommended by unathanthium [profile]

ICI records present a promotional tune for Savlon Babycare.One for astronauts who are missing their newborns.Jackie Lee whispers to a sleeping infant as
an Hawaiian guitar gently guides sleeping child to distant imaginary galaxies,presumably peopled by grass-skirted aliens.More space commodity than Space Oddity,but all the more charming for that.




Minha Gente  performed by Erasmo Carlos  1972
Recommended by gregcaz [profile]

Virtually every song on the utterly incredible parent LP is worthy of a separate entry, but I'll just go with this folksy-cum-spaced-out rumination on the way he identifies with the people he surrounds himself with, musically reminiscent of Pink Floyd in the best possible way. Great playing by various Azymuth and Som Imaginario members.
The dateline in the album's title, by the way, is a reference to the time period Erasmo had experienced from birth up to the album's release, he's fortunately still with us!

from Sonhos e Memorias 1941-1972 (Polydor)


The Great Gig in the Sky  performed by Pink Floyd (featuring soloist Clare Torry)  1972
Recommended by FlyingDutchman1971 [profile]

One of my favorite tracks from this classic album. Clare Torry's vocals are absolutely haunting without saying an actual word. I always used to visualize being sucked up into space (undoubtedly because of the song's title) when I heard this song. Then I watched it with the Wizard of Oz and now I always invision Dorothy Gale in the eye of the storm...

from The Dark Side of the Moon, available on CD (Harvest/Capitol)


Footprints on the Moon  performed by Francis Lai  1973
Recommended by delicado [profile]

An incredibly perfect easy listening piece, this opens with an other-worldly, John-Barry-ish synth sound, and then leads into a groovy, lightly funky piano riff, with shimmering strings. Francis Lai's signature organ sound carries the tune as the song builds into a dramatic orchestral pop masterpiece. A standout track, with superb wistful, lazy, summer day feel, rather like some of the best tracks on the 'Sound Gallery' compilation of a few years ago.

from Plays the compositions of... (UA UA-LA095-F)




  scrubbles: Yow! That sound snippet alone is so cool.
  AndreasNystrom: I finally got the version by Francis Lai, and i think its better then Johnny Harris one. Splendid song!. I love the ending part of it.. cant get that part out of my head :)
  standish: I'd have to go for the Johnny Harris original over the Francis Lai version. It's colder and spookier with less obtrusive strings. "Movements" is available on CD (great sleeve - his expression suggests a combined photo shoot/visit to his proctologist) - but the mono single version (w/"Lulu's Theme") is all you need.
  leonthedog: Well, thanks to all of you I had to track down BOTH versions! Amazing what a difference an arrangement makes. I agree with scrubbles: the clip of Lai's version is the most infectious thing around!
Take Me With You  performed by Lyn Christopher  1973
Recommended by mr_klenster [profile]

Sinister and spacy, slightly discordant, gospel-inflected soul groove, with a murderous, high-powered bassline. Gene Simmons and Paul Stanley of Kiss apparently sing background vocals on this artist self-titled album, and strangely enough it's their backing that makes this sound sort of reminiscent of a gospel session, but in space maybe. Begging lyrics and tripped out reverb enhance the strange, infectious hold of this song. This is a very heavy, mournful, and unique sound experience. Recommended.





Just Visiting  performed by Lynsey de Paul  1973
Recommended by geezer [profile]

Pitched somewhere between Elton John,s "Rocket Man"and Bowie,s "Life on Mars" but oddly unique due to Lynsey's candy floss vocal.The content typically follows glam rocks pre occupation with the planets and spacemen but listen on and what could be third rate band wagoneering evolves, in a little over 5 minutes, into a substantial and epic tale of how an alien might view our futile existence ,yearning strings and clever layering produce a pleasant surprise from a performer considered little more than a nice to look at footnote . Dont judge an L.p by its cover!

from Surprise (MAM)
available on CD - Greatest Hits


while the city sleeps  performed by Nick DeCaro  1974
Recommended by klatu [profile]

Nice mellow one from A&M master arranger Nick DeCaro (Claudine Longet, many more), but this is probably my fifth "favorite" song off of this wonderful album, with versions of songs by Stevie Wonder ("happier than the morning sun") and Joni Mitchell ("all i want") that even the composers would have to admit have value added. I don't know if Ms. Mitchell necessarily sees the humor in changing the lyric "I want to knit you a sweater" to "I want to lift your sweater", but I do. Also a radical arrangement of "tea for two" only Bob Azzam can compete with. Nice comments by "konsu" on Nick's earlier album only show up if you put a space between "De" and "Caro".

from Italian Graffiti, available on CD (MCA)




  konsu: Cordially corrected for hair splitters,and for the benefit of search engines everywhere!I'm sure Joni has lifted a top or two in her heyday too!His work needs WAY MORE stateside attention indeed.
  drchilledair: Even if you think you don't know who Nick DeCaro is, chances are you are familiar with his music, via his arrangements for many Golden Age of Warner-Reprise "Burbank Sound" recordings incl: Gordon Lightfoot's 'If You Could Read My Mind', James Taylor's 'Shower The People' and Randy Newman's 'Marie'. By conservative estimate, as producer, arranger, musician, songwriter, or singer, DeCaro, who died in 1992, partnered with over a hundred groups or artists - including not just Warners-Reprise artists like Arlo Guthrie, Maria Muldaur, Ry Cooder, the Everly Brothers, the Mojo Men & Harpers Bizarre, but also such diverse recorded citizenry as Barbra Streisand, the Ventures, Claudine Longet, Chris Montez, the Sandpipers, Del Shannon, Gary Lewis, et al - amassing a catalogue in excess of 300 albums and sundry 45rpm singles. In an interview I conducted with Randy Newman in 2001, he described DeCaro as being almost pathologically shy. Thus explaining, perhaps, the state of anonymity that still surrounds Nick, despite his prolific achievements. As a journalist I have devoted some of the last couple of years trying to redress this oversight. If you are interested, one result is an article I published in Japan in 2001. The English language version is available at communities.msn.com/NickDeCaro. A more recent article can be found on the web at www.spectropop.com/NickDeCaro
Dodo  performed by David Bowie  1974
Recommended by robert[o] [profile]

A fascinating out-take from the "Diamond Dogs" sessions, �Dodo� can be seen as the starting point of Lady Stardust�s shift from glitter space-boy to paranoid, plastic soul stylist. Like almost everything on D. Dogs, the lyrics are inspired by Orwell�s �1984�, but the music seems to be profoundly damaged by sleek, eerie production style of Willie Mitchell.
Thus the song plays like Al Green in Hell, w/a great groove and deeply creepy feel. The Thin White Duke starts here.

from Diamond Dogs (out-take) (RCA)
available on CD - Diamond Dogs (30th Anniversary edition) (EMI)


Life on Mars  performed by Barbara Streisand  1974
Recommended by robert[o] [profile]

This is so wrong; it ends up being right somehow. On paper, this cover is a car wreck. Barbara takes on Bowie�s brilliant, epic ballad of camp surrealism � his homage to big, theatrical female belters like Judy Garland, Shirley Bassey and�Streisand, herself � and the song escapes her utterly. Her delivery sound like she learned the lyrics phonetically. (She might as well be singing in Cantonese.) And Jon Peters� production/Tom Scott�s arrangements bring to mind the cool, �L.A.-sound� of Joni Mitchell�s �Court and Spark� LP � minus all the clever bits Joni brought to the table. Yet it spite of all of these faults � this version works. The song is just too good, and Babs� charisma is just too powerful. It�s a [Space] oddity you�ve got to hear to believe.

from Butterfly (Columbia)


We Could Be Flying  performed by The Singers Unlimited w/ Art Van Damme  1974
Recommended by Festy [profile]

This was the first version of this song that I'd heard, but have since discovered that it has been recorded many times. The song is written by Michel Colombier & Paul Williams and this version is somewhat haunting, whilst, at the same time, it's also spacey and heavenly. The lush vocals give the song its "other worldly" sound.


available on CD - Afternoon Tea Music - Clear Herb Tea (Universal Music)




  Mr Steal: I only ever heard this once - been looking for it ever since. It's truly lovely. I should say that Scott Walker does a really nice version of the song on his much-maligned (but actually pretty OK - albeit covers only) LP Any Day Now.
Sosta Vietata  performed by Ennio Morricone  1975
Recommended by delicado [profile]

Thanks are due to bobbyspacetroup for bringing my attention to this track. I foolishly thought I must have heard all the brilliant Morricone in existence. I was wrong. This is an incredibly perfect track, slightly reminiscent of the track 'Jet Society' by the Cordara Orchestra. It has lush strings, and a melody that is typical of Morricone - simple, obvious even, but very effective, with great instrumentation (in this case, harpsichord and later brass).

from Il Poliziotto Della Brigata Criminale
available on CD - Belmondo Morricone Verneuil (Playtime)




  eftimihn: After listening to a fairly large amount of Morricone music over the years this still stands out as one of his very best tracks for me. Oddly enough, this one never got compiled for one of the countless compilations that cover his "lounge" sound of the late 60s to the mid 70s. This should have been on "Molte Mondo Morricone", one of only a few essential tracks that were overlooked on this otherwise excellent trilogy.
  nighteye: I agree with you, this is a incredible track! The slow lush strings are perfect. I can't say I have heard much of Morricone's music, but if the rest is anything like this - he is going right in my list of favorite composers.
  eftimihn: Nighteye, you should definitely give the Mondo-Trilogy a spin. Can't really praise these comps enough, they actually got me into Morricone and are by far the best ones when it comes to sum up the maestros non-spaghetti late 60s to mid 70s work.
  nighteye: Yeah, thanks eftimihn I think I have to look at those compilations.
chase the devil  performed by max romeo and the upsetters  1976
Recommended by olli [profile]

"I'm gonna put on an iron shirt/
An' chase Satan out of Earth.
I'm gonna put on an iron shirt/
And chase the Devil out of Earth.
I'm gonna send him to outer space/
To find another race.
I'm gonna send him to outer space/
To find another race.

Satan is the evilest man/
But him can choke sit on a man.
So when I check him my life's in hand/
And if him flip I gone with him hand.

I'm gonna put on an iron shirt/
An' chase Satan out of Earth.
I'm gonna put on an iron shirt/
And chase the Devil out of Earth.
I'm gonna send him to outer space/
To find another race.
I'm gonna send him to outer space/
To find another race.

Him have to drop him fork and run/
Him can't stand up to Jah Jah's son.
Him have to left here with him gun/
Take off with him bomb."

gotta love a bit of max romeo. great trippy reggae song. wonderful production by lee "scratch" perry, too.


available on CD - jammin-supreme reggae vibes



  james: Yes it rocks. but have you heard Wet Dream? quite purile and filthy lyrics but great x-rated Ska
  olli: Yeah, i love his early rude boy stuff.
  fruity: theres a really good jungle dubbed version of max romeo's chase the devil done by Spacebar Collective from Malaysia.u guys should check it out. http://www.myspace.com/spacebarmalaysia
  bahaar: hey olli, hope you don't mind if copy here a more precise version. And LOL for this line in your version: So when I check him my life's in hand --- Lucifer son of the morning, I'm gonna chase you out of earth! I'm gonna send him to outa space, to find another race I'm gonna send him to outa space, to find another race Satan is an evilous man, But him can't chocks it on I-man So when I check him my lassing hand And if him slip, I gaan with him hand I'm gonna put on a iron shirt, and chase Satan out of earth I'm gonna put on a iron shirt, and chase the devil out of earth I'm gonna send him to outa space, to find another race I'm gonna send him to outa space, to find another race Him haffi drop him fork and run Him can't stand up to Jah Jah son Him haffi lef' ya with him gun Dig off with him bomb I'm gonna put on a iron shirt, and chase Satan out of earth I'm gonna put on a iron shirt, and chase the devil out of earth I'm gonna send him to outa space, to find another race I'm gonna send him to outa space, to find another race Satan is a evilous man, But him can't chocks it on I-man So when I check him my lassing hand And if him slip, I gaan with him hand I'm gonna put on a iron shirt, and chase Satan out of earth I'm gonna put on a iron shirt, and chase the devil out of earth I'm gonna send him to outa space, to find another race I'm gonna send him to outa space, to find another race Move ya with your gun Mi sey fe lef' ya with your bomb... --- http://homepage.ntlworld.com/davebulow/wow/lyrics_max_romeo_-_chase_the_devil.htm http://www.vortexmind.net/index.php/2006-11-29-max-romeo-i-chase-the-devil/ http://faqs.ign.com/articles/717/717937p1.html
  n-jeff: true, a great song - isn't there a mad hardcore version, too?
  n-jeff: Yes there is. The Prodigy, before they (he) became a pop metal band. lol.
Discovery  performed by Brian Bennett  1978
Recommended by nighteye [profile]

One of former drummer Brian Bennett's best tracks. Mellow space funk with synthesizers, a deep bassline and weird sounds. Almost gives the feeling of floating around in space.


available on CD - The cream of the Chappell Music Library Sessions (Chappell)




  texjernigan: Lovage sampled this track for their opener, "ladies love chest rockwell." Anybody know if there's a site that shows all the original samples for stuff like this, rap and what not?
Just Lust  performed by Buzzcocks  1978
Recommended by dsalmones [profile]

"Just Lust" was the B-side to the Buzzcocks' highest-charting single, the Pete Shelley punk-pop classic "Ever Fallen in Love?," eventually reaching number 12 on the U.K. singles chart in September of 1978. The mysterious co-author " Dial" is, in fact, a pseudonym for the band's early manager, Richard Boon, who also shared songwriting credits on "What Ever Happened?," the B-side to the Buzzcocks' infamously banned first single "Orgasm Addict." However, the effect of his involvement in not apparent here, as the music is classic Buzzcocks � masters of the punk-fueled power pop nugget. The rhythm is springy, the track's nervous tension as wired as the melody is infectious. Punchy verses with quick-hit vocals are alternated with short dreamy sections of woozy flanged guitar and chopped up-tempo shifts, the band expertly maneuvering in tight spaces. Shelley follows the twists and turns with clipped phrases followed by drawn-out melodies in sync with the compact arrangement: "Your dream to possess/It hurts/It's so unjust/Just lust, just lust/If nothing mattered less/Then I wouldn't make a fuss/Just lust, just lust/I was slow to catch on and that just makes it worse/If passion is a fashion then emotion is just a curse." Though the track was also included on the Buzzcocks' second album, Love Bites, the group had yet to make an impact in the United States. Thankfully, this little gem was not left to languish in obscurity as it was included in the influential collected singles package Singles Going Steady, compiled as the band's introduction to American audiences and released in the states in 1979.
(AMG)

from Love Bites, available on CD (UA)


Bleak House  performed by Anthony Phillips  1978
Recommended by Mike [profile]

Subtle harmonic and textural touches lift this well above the ordinarily beautiful. It's varied and lasts nearly 6 minutes, building gradually, and keeps getting better until just before the end. You can tell at times that he's listened to "Ripples" and some of the good bits on "Wind and Wuthering", but this has its own space. The vocal is by a former Genesis roadie.

from Sides, available on CD


So much trouble in the world  performed by Bob Marley  1979
Recommended by macka [profile]

Bob Marley at his very best, this song seems all the more relevant considering current actions world-wide. "You see men sailing on their ego trips, Blast off on their spaceships, Million miles from reality, No care for you, no care for me"

from Natural Mystic, available on CD (Tuff Gong)


White Car in Germany  performed by The Associates  1981
Recommended by robert[o] [profile]

Post-punk "pop" at its most gorgeous/baroque/bewilderingly extreme - and the perfect introduction to the God-like genius of Alan Rankine and the late/great singer Billy Mackenzie. A four car-pile-up between Roxy Music (circa "For Your Pleasure"), Bowie (circa "Heroes"), Scott Walker's "Scott 3" and Kraftwerk's "The Man Machine", (with King Tubby and Shirley Bassey acting as ambulance attendants), this song is both empty and lush, creepy and hilarious, ice-cold and almost embarrassingly emotional. I have loved/lived/died by this song for almost two decades, and I still can't begin to tell you what its about. It's like something from outer space - like so many of the greatest pop songs are.

from The Fourth Drawer Down (Situation Two)
available on CD - From The Fourth Drawer Down (V2)


Areas  performed by New Musik  1981
Recommended by Mike [profile]

A song about personal body space. I know that this doesn't exactly sound electrifying, but the song itself does. In fact the whole album this is from is filled with fantastic lyrically unorthodox songs, most of which are extremely good.

During this very skilfully constructed song, we hear some of the most lyrical, expressive sounds ever to be played on synths. We hear that slightly strange vocal performance style that makes a virtue out of sounding uncool - but it's always very musical.

Tony Mansfield is an absolute musical genius and innovator. After the three new Musik albums, he went on to produce A-ha's first album and a few records for other artists, but never seems to have had the recognition Trevor Horn recieved. I wonder what he's doing now...

from Anywhere, available on CD


Tear It All Away  performed by The Church  1981
Recommended by dsalmones [profile]

Following shortly on the heels of Of Skins and Heart, "Tear It All Away" still was the picture of a developing band, but one already more comfortable with the studio, able to use subtlety and quiet drama to inform its cool, soothing yet tense take on post-punk filtered through psychedelic touches. The familiar Byrds-derived guitar and Bowie-tinged lyrical regret and sighing crop up as they so often would in the earliest days, but there's a clean, blue tinge to the whole performance, something that feels inexpressively like an eighties recording rather than a sixties throwback. Call it the space in the mix, the gentle keyboards here and there, or the substituting of folk and country roots for something more urban and faster-paced. The lovely mid-song solos show the Marty Willson-Piper/ Peter Koppes team still well within its element, and the whole composition has a rich, lush feeling to it that's most attractive.
(AMG)

from Of Skins and Heart, available on CD (Arista)


Uncertain Smile  performed by The The   1982
Recommended by geezer [profile]

At first listen unavoidably eighties with an earnest post punk sensibility,percussive beats,synthesisers,and saxaphone .The devil is in the detail however and the song is augmented with a gorgeous flute refrain which enables an otherwise plodding melody to float on air and grant much more space to the melody and lyrics ,Almost psychedelic in its overall feel if that was possible in a future obsessed U.k of 1982.

from Soul mining
available on CD - Soul Mining


We're Still Free  performed by Skeleton Crew  1983
Recommended by havadonut [profile]

The best political song ever written, "We're Still Free" concerns the famous tragedy of a Korean passenger jet shot down by fighter planes when it strayed into Soviet airspace. Yet in recounting this act of barbarism on the part of the Soviets, it also implicates the righteousness of the American side of the Cold War ("We're still free here in America"). The song sets up a chilling contrast in the singing of the two performers, with Frith crying out almost desperately against believing what the media tell us, while Tom Cora gently croons the part of the Soviet air controllers as they decide to destroy the plane. Skeleton Crew was a two-man band with both performers playing drums with their feet along with electronics and strings. Here they set a contrast between the grand, arcing lines of the cello and a homey picking of the violin that's almost shockingly sweet and funny. Critical of anti-democratic trends in the West, Skeleton Crew was criticized by fans in Eastern Europe for taking freedom for granted.

from Learn to Talk (Rift (US)/RecRec (Switz) Rift/RecRec 08/05)
available on CD - Learn to Talk/Country of Blinds (RecRec (ReCDec 512))


The Cutter  performed by Echo & The Bunnymen  1983
Recommended by dsalmones [profile]

On �The Cutter� fellow Liverpool natives, Echo and The Bunnymen successfully wed the Eastern influenced psychedelic sounds made famous by hometown heroes, The Beatles. Crafting Eastern influences into a new post-punk hybrid that was sweeping England in the Early 80�s. It was songs like �The Cutter� that would help define the newly coined Neo-psychedelic sub-genre, practiced by such group�s of the period as The Chameleons U.K., Psychedelic Furs and Simple Minds amongst others. The track opens with a keyboard approximation of Indian strings, whirring briefly before the band kicks into a percolating groove of popping bass, driving straight drums and chinking guitar accents. Ian McCulloch adds another layer of �60 nostalgia, employing his expressive, slack-jawed vocal delivery that conjures aural images of the late Jim Morrison as he unfurls lines that drip with apprehension �Who�s on the seventh floor? / Brewing alternatives / What�s in the bottom drawer? / Waiting for things to give�. The Eastern strings re-enter at strategic points, filling in space between verses and McCulloch�s esoteric pleas to �spare us the cutter!�, which sounds like a good idea in any case. The arrangement also veers into epic territory quite unexpectedly in the second half, signaled by a sweeping wave of keyboard and McCulloch�s more subdued delivery as poses a string of rhetorically poignant questions, �Am I the happy loss? / Will I still recoil? / When the skin is lost / Am I the worthy cross? / Will I still be soiled? / When the dirt is off� -as the music swell behind him. Like any good single, the track never looses steam, cruising through each section with power and grace. A nod is in order for Ian Broudie, who�s smooth production helped The Cutter become Echo and The Bunnymen�s first top ten single in Britain and a linchpin track for the Neo-psychedelic movement.
(AMG)

from Porcupine, available on CD (Sire)


Country Boy  performed by The Associates  1988
Recommended by geezer [profile]

The genius of Billy McKenzie is distilled in this largely unheard epic.Tribal drums introduce a synth pop backing which allows a bit more floorspace for what sounds like a barber shop quartet before McKenzie,s yerning vocals commence the song proper.
Both chaotic and cohesive ,this really shouldnt work but a maverick self belief produces a truly fantastic odd,unforgetable moment.This remained unreleased for nearly twenty years by a short sighted record company looking for a uqick repetitive return.Some things never change .

from The Glamour Chase, available on CD


Getting Away With It  performed by Electronic  1989
Recommended by ref. [profile]

Straight up pop song with a disco sheen. I haven't liked many songs in Electronic's catalogue, despite featuring Bernarnd Sumner from New Order and Johnny Marr from the Smiths, but this song is up there with my favorites from each group.

This song features Neil Tennant from the Pet Shop Boys. What star power!

The lyrics are typical Sumner - casual dream-speak about his relationship with the world.

The refrain is gold, as are the melodies.

Check out the song here:

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendID=42979805

from Getting Away With It (Factory FACD 257)


Space Race  performed by Apemen  1995
Recommended by eleki-san [profile]

not just another Space/Surf Instrumental, but a true space hymn with a sweeping 'theremin' sound above all.

from Surfvival of the Onbeschofste, available on CD


Hometown Unicorn  performed by Super Furry Animals  1996
Recommended by delicado [profile]

Super Furry Animals are one of a select group modern bands I really like. In a sense, they are too 'rock' for me, but they are so furiously inventive and original that I'm always impressed by their songs - even the ones which I wouldn't necessarily listen to by choice. 'Hometown Unicorn' is a masterful pop anthem with a rich Bowie-like 1970s feel to it. The lyrics are also masterful, and concern the late 70s story of Frankie Fontaine, who claimed to have been abducted by an alien spacecraft. From the first line of the song, I was hooked - 'I was lost, lost on the bypass road...' Many thanks must go to my friend and fellow site user, phil for introducing me to this track and this band.
ps, the group are incredibly good live as well.

from Fuzzy Logic, available on CD



Mundo Civilizado  performed by Arto Lindsay  1997
Recommended by delicado [profile]

A beautiful and really unique track which merges Brazil with electronica (Arto is Brazilian, and a guy called DJ spooky added some beats). It opens with a bare, spacey beat. Fragmented guitar, vocals and organ drift in and out until the song builds into a climax with a simply beautiful synth-string sound. The song manages to be uplifting while retaining a slightly spooky twin-peaks type of feel to it.

from Mundo Civilizado, available on CD




  secularus: Arto sings in such a sensual and soothing way. His most recent albums are well worth checking out.
  G400 Custom: Hmmm. I know he's Brazilian and everything, but I think Arto Lindsay's best stuff was done before he went all Latin on us. Listen to his guitar on the first Lounge Lizards album, when he manages to go 40 minutes without playing anything actually recognisable as a note.
I Think I’m In Love (live at The Royal Albert Hall)  performed by Spiritualized  1997
Recommended by MisterBenn [profile]

Quite simply one of the greatest live albums ever, and this is the pick of the bunch. A slow, beautiful melody explodes into a slide guitar driven landscape. Thrilling.

from Live at The Royal Albert Hall


Broken Heart  performed by Spiritualized  1998
Recommended by tinks [profile]

A different version than the one that appears on "Ladies and Gentlemen We are Floating in Space", this one features a slightly slower tempo, a full gospel choir and some lushly arranged strings and horns. Absolutely beautiful...a longer instrumental version also appears on the EP.

from Abbey Road (EP), available on CD



  delicado: this was on my list to recommend too...but I've only heard the album version...what an astounding track! Will have to check out the EP...
Mile of Fence  performed by Pete Droge  1998
Recommended by understudy constantine [profile]

Originally a Tom Petty sound-alike, but on the Spacey and Shakin' album sounding a whole lot like he's finally found himself a niche, Droge delivers a collection of guitar-heavy songs that tip the wink to grunge, but without the buzz of overblown amps. This is one of the heaviest and best... check out the break.

from Spacey and Shakin (FiftySeven Records)


Space Lord  performed by Monster Magnet  1998
Recommended by King Charles [profile]

After nearly three and a half years of speculation, I finally bought this album in the fall of 2003. Wow. As soon as I popped it in, I knew that it was Monster Magnet, but I knew I had a new band to add to my favorite list. These guys rock, period, they're in the lower upper class of hard rock (with upper upper being reserved for such acts as Metallica, Iron Maiden, and Dream Theater), hell I don't even want to categorize them, as this would place a restriction on their potential (in much the same way the Jewish cannot write the word "God," and Muslims cannot draw Him, according to friends I have of those faiths). The song starts off like a fireside story, we've got a low bass beat, a great little intro compliments of Ed Mundell. Wyndorf's space, money, power, sex and religion influenced lyrics become prevalent as soon as the song begins, and we are launched into a maracca, tambourine, and 70's/80's hard line influenced metal trip. Ned Raggett's characterization of an 'acid folk' edge to the beginning of the song gives it good justice, and Space Lord slowly cranks up the volume, settling down once, and then cranking it up again, ready to conquer worlds with the hard rock edge that has kept Monster Magnet in the limelight, but away from the new age/pathetic sounds. Upon listening to this song, we think "classic rock," not because of it's refusal to metamorphose (or rather, transmogrify) into today's rock, but because of it's influence from the aforementioned 60's - 80's hard core, unfiltered, instrumentally diverse sound (including alternate percussive effects from tambourines and maraccas, as well as keyboard infiltration that would make The Doors jealous), which is uniquely self-complimenting, orchestrated, and coherent. Space Lord deals with becoming (unconsciously) corrupt with power, wealth, and ultimately desire (Now give me the strenth to split the world into, yeah/I've ate all the rest, and now I've gotta eat you), which may delineate the stereotypical American 'powertrip,' hence the album's appropriate name. If you are looking for unrelenting excellent rock, which isn't too harsh to listen to, but most certainly isn't along the lines of Phish or Weezer (in any respect at all), I recommend this song, album and any others one could get one's hands on. 5 out of 5 stars for its genre.

from Power Trip


Headache  performed by Space Twins  1998
Recommended by texjernigan [profile]

If you are (were) a fan of Weezer, you probably heard of the Space Twins, Brian's side project. If you like this sound, also check out Goddess of Love. These two tracks were both done in the nineties, and they both have that vintage sound which I guess I've always loved; I must have been 14 or 15 when I was listening to this and I liked it even then as much as or more than weezer. This site really is making me realize my musical progression and how its all very related and interlinked.

from TV, Music, and Candy



Spacebeach  performed by Arling & Cameron  1999
Recommended by delicado [profile]

A stunning instrumental from the Dutch duo Arling & Cameron, whose tunes are often more jaunty and upbeat than this one, which is a more moody, atmospheric number. Using similar synth sounds to some of Massive Attack's best work, live strings, a wordless female vocal and a nicely picked acoustic guitar sound, they weave together an intoxicatingly brilliant blanket of sound.

from Music for Imaginary Films, available on CD




  robert[o]: great track - best song on the LP
Groovin� With You  performed by The Gentle People  1999
Recommended by eftimihn [profile]

What a great blend of electronica and easy listening this track is. Think of it as a trippy, chillin' "A Summer Place" in outer space with gentle male/female vocals, some french whisperings and sparse, delicate electronica intertwined with the memorable, lush string melody sample of "A Summer Place".

from Simply Faboo, available on CD




  n-jeff: Great track, it made me buy the LP, which was a little disappointing, but the first four or five tracks are great, and for me this song is the opeak of them, and the whole LP.
The space track  performed by Cosmic Baby  199?
Recommended by AndreasNystrom [profile]

Trance/space/electropop when its at best. This track really gives you an impression about being in space, seeing colored nebulas, and pulsars.
This is the kraftwerk of the 90ies.
Starts with lots of spacesounds, and choirlike chords. Evolves with a snappy bass, and fast drums. Great chillout music.

Cosmic Baby also worked with Paul Van Dyk, and got Paul interest into music.


available on CD - TransEuropeExpress



space latin age  performed by chappie  2000
Recommended by daidai [profile]

the latin intro quickly gives way to the electronic beats chappie is known for. personally, i think this is the best chappie song. i wonder how much is bias towards the name.





a love from outer space  performed by tahiti 80  2000
Recommended by penelope_66 [profile]

just dreamy! the title fully corresponds to the mood of this track. i'm just a sucker for the combination of acoustic guitar and electronic instruments, and tahiti 80 masters that beautifully with this song. um, the perfect make-out song? what else can i say?


available on CD - tahiti 80 - e.p.




  n-jeff: Is this the AR Kane song? 'She loves me, she loves me she loves me, hmm, a love from outer space, its true'. My girlfriends favourite track from the I LP.
  penelope_66: Yes! Though I didn't know it was a cover...I'll have to find the original and hear it!
Unchanging Window  performed by Broadcast  2000
Recommended by tempted [profile]

Broadcast are the perfect retro-futuristic band. They make space age pop like no one else today. Haunting Moogs, fuzzy, reverb-laden guitars and tight bass and drums. Trish Keenan's voice sounds like an understatement with its simple, effortless tone. For lovers of Morricone, United States Of America and Stereolab.

from Noise Made By People, available on CD



He’s Simple, He’s Dumb, He’s The Pilot.  performed by Grandaddy  2000
Recommended by pleasepleaseme [profile]

Weirdly wonderful electro-folk-rock number.
It reminds me of "space oddity" by Bowie but in a K-Hole.

from The Sophtware Slump, available on CD


first sleep  performed by cliff martinez  2001
Recommended by olli [profile]

deceptivly simple, eerie melancholic electronic piece from the soundtrack to the (frankly disappointing) soderbergh remake of "solaris".
half clinical, half emotional. pretty good stuff.
sounds a bit like something off radiohead's kid a, only more reflective and less pretentious.


available on CD - solaris original soundtrack



  frmars: The piece is not "simple". For minimalist music lovers, this is a pure gem. The whole soundtrack is a mesmerizing variation around the same notes. And I was frankly NOT disappointed by the remake of Solaris. It is an "ambient"' movie, that made me think of Brian eno's solo music (music for airports for ex). Very elegant, very slow, very subtle.
  olli: well, in my opinion the soundtrack was the best thing about the film. though I like and deeply respect soderbergh as a director( I'm intrigued by "the limey" for the same reasons you appreciated solaris), i feel his vision for solaris was too rushed compared to the soviet original(wich admittedly is a bit TOO slow in places), and I felt it didn't give enough of a fresh angle on the subject to warrant a remake. (yeah, i know they thought of it more as an adaptation of the book rather than a remake of the film, but people just aren't going to get that) Still, the word dissappointment was used a bit relatively here, as it WAS one of the better studio films out that year..it's just that the original has a special value to me. (hmm.just realized that this might not be the ideal forum for discussing films, what with the lack of the word "movie" in the domain name and all. So I'll leave it here.) Still, I agree that i phrased my description of the piece a bit ackwardly, it really should have said simple. There, fixed it.
The Way You Look Tonight  performed by Air (french band)  2002
Recommended by dedismo [profile]

Good music to fall in love to. Classic Air use of Acoustic guitar, french accented voices singing English, and melodious synthesizers. Fall in love with Air again.

from Everybody Hertz, E.P. (10,000 Hz Remixes) (Astralwerks 11833)
available on CD - Everybody Hertz E.P. (Astralwerks)



ha ha  performed by mates of state  2003
Recommended by catch_her [profile]

" It's difficult to place MOS in a genre as the song structures are unique, often complex. At the same time there are always the pop elements of catchy melodies and loads of harmony. Even though there are only two of them, they fill up the space with the monster, bass-heavy organ, creative drumming, and constant dueling vocals. The music can be sweet. At other times it's spastic, but either way, you leave MOS shows with a warm feeling.



Mates of State has been described by critics as unabashed joy, honesty at its best, a two piece with balls, and a band that you must see live. " (taken from official website)







amazing.

from team boo


Fly High  performed by Cotton Casino  2004
Recommended by n-jeff [profile]

A solo single from a member of Japanese space rock collective Acid Mothers Temple. For them she plays Synthesiser (a nice old Roland) Cigarettes and Beer. On this she also sings.
Its a strange sounding thing, theres no bass or even much lower mid range. Echo'd synthesiser, a very old sounding drum box, and vocals all occupying the same accoustic space to very psychedelic effect. But yet, very poppy, the vocals stay with you for ages.
Lovely stuff.

from its a single
available on CD - we love cotton (silly boy)


Time Out From The World  performed by Goldfrapp  2005
Recommended by eftimihn [profile]

Am i the only one disappointed Goldfrapp by now almost completely abandoned their "Felt Mountain"-style and are now solely winding down on the glam-electro route? Anyway, "Time Out From The World" could easily have been on the first album, it sounds like a follow up to "Pilots": Gently flowing, nocturnal in texture, floating through a vast open space with delicate electronica and synths building up to a lush finale with an orchestral armada of strings. Despite the electronics it still has this late-60s-John-Barry feeling all over it.

from Supernature, available on CD




  robert[o]: I doubt you're "only one" who wishes Goldfrapp lingered a tad longer on the slopes of Felt Mountain, but I really feel they made the right choice. "Felt Mountain II - The Sequel" would have been really anticlimactic. The Thin White Duchess, @ his height in the 1970's, had the right impulse - once you've got a trope right; move onwards! A great song tip though, and I would give a shout towards "Let It Take You" likewise. It sounds like John Barry arranging a weird Prince song circa "Purple Rain".
  Mike: You're definitely not the only one, Efti ,and there is one more just here. To me, each successive album has contained fewer magically beautiful tracks than the last, the jump "onwards" into material I find uninteresting being accelerated hugely with the new disc. Robert, the evidence suggests that the choice appears to have been the right one when assessed on the basis of commercial success, but artistically I personally think it a shame they chose to concentrate so much on the "T-Rex with synths material". However I'll return to the new record again in a while and see if it grates less on me...
  eftimihn: Thanks for the song recommendation, Robert. Well, i wouldn't have asked for just another Felt Mountain, but maybe for a slower transition towards their new sound, for keeping that magical feel of such stellar song such as "Pilots" or "Utopia". And "Supernature" feels rather "Black Cherry II" to me, so to me they really haven't moved on from there now either. But i know it's always a topic of debate, the "sticking to their style" vs. "changing/progressing from album to album" thing basically. I mean, did anyone complain The Smiths didn't move on to, say, synth pop? Did anyone complain Kraftwerk using electronics for 30 years? I don't know, i like electronic music a lot, but with Goldfrapp i just feel it's a loss such a gifted arranger like Will Gregory with all the right influences, carrying a Morricone/Barry style into a new contemporary sound, is now so firmly into synths and electronics...
  robert[o]: You have some very valid points - I just don't agree that they apply here. A band/artist need not radically change styles release to release, but I stand by my previous statement when you get it right, move on. "Felt Mountain" got it really, really right. In retrospect, I see the shift for that group as correct move artistically. Likewise, I see "Supernature" not so much as "Black Cherry II", but as the logical fulfillment of the shift that that record, now clearly a transitional LP, suggested. I would also say that "Supernature" is a stronger record than "Black Cherry" on pretty much every front (save perhaps the lack of anything as utterly exquisite "Black Cherry's" title track - which I believe is the group's best song to date.) Now I happen to like the obvious points of reference for "Supernature" - glam rock and electro - as much as I do Italian soundtracks. (All three genres do much the same for me - create their own sonic environments, that play with the contents of my skull.) And if Goldfrapp's next LP is "Supernature II", I will complain loudly - (but I hope/suspect Allison and Will are smarter than that.) And @ the risk of fueling further controversy, many a great band/artist has run a great sound/trope/idea/etc. into the floorboards. (See: The Pixies, The Ramones, The Cocteau Twins, (my beloved) T. Rex and, sadly, The Smiths (post "The Queen is Dead") and Kraftwerk (post "Computer World").) Many of the artists I love best - Bowie, Gainsbourg, Joni Mitchell, Kate Bush, Siouxsie, Wire, The Fall, Broadcast - all remake/remodel themselves every so often. Sometimes said exercise fails - but seem, to me, to create a sense of artistic vitality within the work of said bands/artists. (And "Supernature" feels, to me, thick with that very vitality.) Also let's not fall prey to the reverse snobbery that the commercial success of this LP means it is therefore an inferior piece of work artistically. Remember so much of what this forum champions - Bacharach, Nancy and Lee, Serge, Dusty, etc. - was squarely middle of the road pop music. It makes me very, very happy that people are actually hearing/buying sexy, smart, pop music w/more that a little sense of darkness to it, rather than bland, processed, obvious crap that dominates the charts.
Roskilde Song  performed by Henry Sails  2005
Recommended by mickotoole [profile]

This is a song that was written in Denmark by a very good friend of mine, it starts of with a piano solo accompanied by a harmonica. It is a very simple yet very deep and effective song. You can listen to it on www.myspace.com/henrysails or on www.henrysails.com

from Untied (Unsigned)


Pink Girl  performed by Shauna Burns  2005
Recommended by musicman [profile]

If you like Tori Amos, you'll love this new pianist named Shauna Burns. To hear Pink Girl, go to www.myspace.com/shaunaburns

from Every Thought (Red Rock Music 634479118579)
available on CD - yes (yes)


Different From The Rest  performed by Alice Peacock  2006
Recommended by musicman [profile]

New song that comes out on Alice's new CD, "Who I Am" June 13. You can hear it on www.myspace.com/alicepeacock - song sounds like it came out of Carole King's "Tapestry" album...nuff said.

from Who I Am (Peacock Music)


Let New Days Dawn  performed by A Cautionary Tale  2006
Recommended by aggryle [profile]

Beautiful composition and production with a darkly uplifting, somber mood and feel. Definitely will make you stop and focus on it as you are filled with melancholy feelings, though once the song ends, you feel better than when it began. Hard to find album, but you can listen to the song on myspace.com/acautionarytale.

from Let New Days Dawn, available on CD


You Can Tell Me  performed by Tomi  2007
Recommended by chipster [profile]

R&B/Pop with a good groove. Reminds me of music from Justin Timberlake's first solo CD. Smmmmoooothhh!
Listen at www.myspace.com/tomi

Full CD comes out October 2- you heard it here first!

from Tomi (Rosehip)
available on CD - yes (tes)


Butterflies  performed by Secrecy  2007
Recommended by Roro [profile]

My best friend recommended these guys to me recently. She knows how I love the old Curtis Mayfield and Earth Wind and Fire stuff. These guys have that type of favor.

You can hear them on their myspace page: http://www.myspace.com/secrecyone

from Love Seasons, available on CD


Let Down  performed by Another Cynthia  2008
Recommended by weirkin [profile]

electronic dancy pop. Unique but not cheap. worth a listen. I heard it here:

http://www.myspace.com/anothercynthia

from EP


Interlude (Time)  performed by Diamanda Galas  2008
Recommended by robert[o] [profile]

A truly heartbreaking/hair-raising reading of the Timi Yuro classic.
Just Diamanda's spacey/ghostly piano and that apocalyptic voice, recorded live.
The lady sounds like a lovelorn Banshee, wandering some abandoned, seaside amusement pier...in the rain...in the middle of January...at 2 a.m.
Astonishing....

from Guilty, Guilty, Guilty


Reading is Sexy  performed by Stone Avenue Musical Endeavors  2008
Recommended by StoneAvenue [profile]

Hi my name is Bradley Barnes, and I front a small folk-rock band in Florida called Stone Avenue. I have a song I'd like you to listen to.

It's called: Reading is Sexy.

It is streaming on our MYSPACE page.

www.myspace.com/stoneavenue


Take a listen, see what you think! Thanks a bunch!

from Live in Nashville


On and Off  performed by Forks and Knives  2009
Recommended by enemykite [profile]

Raw, passionate and abrasive female vocals.
You may like this band if you like any of the following:
Sleater-Kinney
Helium
Blood Red Shoes
Blonde-Redhead
Le Tigre

from Forks and Knives, available on CD


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