This song has a simple but effective instrumentation; piano, drums and bass for the most part, and brass here and there. It manages to be catchy and interesting because of the melody and chords in my opinion. It's hard to point at something specific, yet the song in its entirety just has a certain, very definitive appeal, especially the ending where it almost has an improvised feel.
This song is from what one could think of as the 'middle period' of Pizzicato Five; they had acquired Maki Nomiya as a singer, and not yet ventured into the experimental things they did in the late 90's. Another, shorter version of it is on "Big Hits & Jet Lags '94-'97'", and that's about the only difference between the two.
A classic pop gem with the quintessential catchy, sing-along melody. Pristinly written, performed & produced by E6 Godfather Robert Schneider and his Apples in Stereo. With a chorus determined to make you hum in your sleep, or over a dozen pints with your mates, or loud enough for your co-workers to secretly dispise your chummy disposition, this song will never lose its appeal. Piano, guitar, snare and bass bring back the days of 'ole, and they do it in style. This has to be someone's favorite song somewhere!
from Her Wallpaper Reverie available on CD - Her Wallpaper Reverie, EP
opl3003: I agree, this is one of the best tracks by The Apples in Stereo! And of of my overall favorite songs! I can listen to it over and over..
An uncharacteristically rock 'n' roll oriented song for the PSB, this is undoubtedly one of their biggest-sounding anthems -- shame they squandered it on a b-side! Johnny Marr of The Smiths fame plays guitar. Available on the "Flamboyant" two-track single (the one with Neil Tennant's blurred face on it).