Wonderful (nearly) instrumental Big Band arrangement, short but with a dynamic plot with gently humming singers and powerful horns. In my opinion a great and swinging piece of art, it makes me think of the gone era of great gala shows.

One of former drummer Brian Bennett's best tracks. Mellow space funk with synthesizers, a deep bassline and weird sounds. Almost gives the feeling of floating around in space.

Because no one can screech and wail like Poly Styrene. And oh man, I love that sax.

One of the most nonsensical song title ever, yes, I know and much derided for that reason, but to quote Otis Redding when told his lyrics didn't make any sense, "I'm gonna worry about settin' the groove. I get that groove going, they don't care what I say." Boogie Oogie2 has got groove to spare, with a jazzy intro (similar to Boogie Nights by Heatwave) before that bass line drops in shakes the floorboards. Just like all the dance craze songs of the 60s, the disco era about vocals were mostly used as a counterpoint to the rhythm section. The Mizell brothers add a touch of sophistication to this female-led band (Hazel Payne and Janice Marie Johnson on bass and guitar - they're the ones on the awesome album cover) which is a step further in the commercial direction after their work with Jazz Funk kings like Donald Byrd, Gary Bartz and Johnny Hammond. This song is up there with G.Q.'s "Disco Nights (Rock Freak)" and anything by Chic in the sophisticated disco category.