I didn't entirely get Ed Motta until I listened to this album. For me this is his perfect mix of sacred and profane styles, his soul and his jazz. Only his third album and his first two employ retro styled instrumentation, it sounds like a 1970s session from Luther Vandross without the glitzy disco production. Ed's voice sounds so great paired with the Fender Rhodes which dominates this album. The arrangements are complicated, unpredicatble but entirely accessible. Entre e Ouca, which means "Enter and Listen," has a mid-tempo disco feel with a bouncing bass line, sharp guitar lines and that rhodes. I like his newer, more challenging albums as well, but this sound immediatly speaks to me like the best crafted pop songs.