This has a country-western kind of swing to it - the type of song Waylon Jennings might do. It seems to be about selling a house full of precious memories. Scott manages to sound like a really cool Elvis Presley, that is, with a swagger Elvis had but without Elvis's annoying mannerisms. For me, Scott's forte has been moody ballads, but he shows here that he can pull off country western too.
from WE HAD IT ALL (Philips) available on CD - stretch/we had it all (BGO)
It's another doomy orchestral vocal masterpiece! A devastating piece, this would be a depressing song if it weren't for the incredible string arrangement, which is like warm sunlight. I can't recommend this (and the album it's taken from) highly enough.
from Scott 3, available on CD
27 May 05 ·nighteye: I feel like making a movie just based on this song alone. This is a great piece of music and probably one of Scott Walkers best achivements. I love the gloomy, rainy feeling you get listening to it, Walker's voice is incredible.
A quintessential Scott track, recorded when he was at peak of his abilities. There doesn't seem to be much middle ground over Scott Walker - people seem to either love him or hate him. I don't really understand how anyone could not be charmed by Scott - sure, he's a crooner and the music backing him is often lush and is rarely 'hip'. But the voice! The words! I've never been really big on either vocalists or lyrics, but these really, really get to me. Angelica's verse is dark and melancholic, and the words speak of regret over a neglected lover. The chorus explodes with emotion, and at this point you should be able to figure out one way or the other whether you love Scott or not. n.b. I always thought this song was composed by Scott, but I was mistaken. As well as being a great songwriter, he had superb taste in other material.
This is not a typical Scott track in any sense, but is still very enjoyable. Scott's take on the often-covered 'Stormy' is charming, breezy, and (unusually for Scott) funky. The arrangement is very full, but there is a strong rhythm section which prevent the prominent strings from becoming overbearing.
from 'til the band comes in, available on CD (BGO)