There are many memorable cuts on this soundtrack, and I essentially picked this because it's the longest. Anyway, Komeda's score is perfect for the film -- humorous maybe but definetly very, very creepy.

hammond groover number one, brian auger, teams up with julie driscoll for a song that doesn't sound like anything else. the choir by driscoll is quite strange and repititous (straight from the bengal???), vocals by auger just blows me away.

i don't understand a single word of his, but that does not matter in this case. dutronc recorded several garage-pop songs in the 60s. he worked at the legendary label disques vogue. i found this song on the flip of 'il est cing heures, paris reveille' which is rather dull but the b-side delivers! check jacques out!

It's taking me a while to get a handle on Love. Some songs I really like, but some I just can't get engaged in. This song, composed not by Arthur Lee but by bandmate Bryan Maclean, is perhaps my favorite Love song so far. [Turns out my other favorite Love original, "Alone Again Or," is also a Maclean composition. Go figure.] This track's tone is different from what I've heard in the band's other stuff. Softer and poppier, more along the lines of my favorite tracks by Eternity's Children, Free Design, or somebody like that. I love the way the flute just sort of floats over the whole song.

A rockin' one and a half minute long instrumental unlike any other Delerue work I've come across. If you know of any other Delerue work like this, please let me know. The arrangement includes really heavy bass, wailing brass, surf guitar, organ, and drums. Maybe it's a little generic, but I like it.