great vocal harmony, sound nice together. tranquile song, very beautiful melody, with main instrument the piano.

A "68" 45 written by Philip Goodhand-Tait. Just very representative of the time ! Parlophone r5672,Producer Mike Dabo

one of my favourite pink dots song. i suppose because, for me, they always manage to convey a sort of 'it's the end of the world' vibe. and the lyrics are cryptic enough that you can't always tell if the presumed outcome is hopeful or not.

An instrumental arrangement using only strings, this piece starts out slow and builds. Its overall tone is sweet and full of emotion. Very seldom does one encounter a song of pure aesthetic beauty, with no ulterior motives or elements, but this is one of those songs.

Max Richter has been influenced by minimalistic modern composers such as Philip Glass and Steve Reich, but his work has its own distinctive feel. This song, among others by Richter, was featured in the 2006 film Stranger Than Fiction.

My favorite track from the latest Goldfrapp LP.
The song takes AM-Radio sunshine pop and exposes the concept to English psychedelic folk at its most radioactive.
The resulting mutation is both sexy and ominous.
The groove is languid, but insistent.
The samples and the synths sound dusty/dirty.
The strings/guitars/harps brood luxuriously.
And then there is Allison's lovely/creepy voice/melody: all woozy sex appeal and little girl menace.
It sounds like that image from the film "Blue Velvet" - lovely summer lawn under which throbs thousands of huge bugs.
Wonderfully slurred....