An incredible harp track that lives up to the title, establishing a late 60s/early 70s jet set lounge mood right from the beginning. Backed by a jazzy rhythm section with just bass, drums and some sparse guitar work it's due to Snell's melodic, dreamlike, almost etheral harp playing that makes the track so evocative. I was pleased to see the track was just selected by the Thievery Corporation as an opener on their compilation album "The Outernational Sound", good choice i must say.