A beautiful and really unique track which merges Brazil with electronica (Arto is Brazilian, and a guy called DJ spooky added some beats). It opens with a bare, spacey beat. Fragmented guitar, vocals and organ drift in and out until the song builds into a climax with a simply beautiful synth-string sound. The song manages to be uplifting while retaining a slightly spooky twin-peaks type of feel to it.
from Mundo Civilizado (Bar None AHAON-082), available on CD
19 Apr 01 ·secularus: Arto sings in such a sensual and soothing way. His most recent albums are well worth checking out. 28 Feb 02 ·G400 Custom: Hmmm. I know he's Brazilian and everything, but I think Arto Lindsay's best stuff was done before he went all Latin on us. Listen to his guitar on the first Lounge Lizards album, when he manages to go 40 minutes without playing anything actually recognisable as a note.
This stunning instrumental is a reasonably straight version of a classical piece by Maurice Ravel, originally written in 1899. Eumir plays piano over a dense string background, adding a tiny bit of jazz phrasing. The texture of the layered strings and piano is remarkably intense and beautiful, and the piece is quite exquisite. I expect this recording would offend classical purists, but I must admit that having heard this version first, I still like it the best. Perhaps this is down to the sheer richness of the string recording, which may be endowed by studio wizardry rarely used in classical recordings. Either way, it's really quite incredible, and I urge you to check it out.
03 Jan 02 ·Mike: While I find Deodato to be a stimulating and interesting artist (and am far from being a "classical purist" of any sort), I can't really muster any great enthusiasm for this recording. Too close to being a kind of synthesis of Ravel's original for solo piano (1899) and version for full orchestra (1910), I find Deodato's funky adaptations of Stauss's "Also Sprach Zarathustra" and, particularly Debussy's "Prelude to the afternoon of a faun" somewhat more worthwhile. Maybe I should listen again to the Ravel adaptation, but in the past I have found its blandness a little irritating... 28 Feb 02 ·G400 Custom: What I like about this track is the fact that it's a very black, funky take on a piece with questionable Aryan overtones. It can be heard to great affect in Hal Ashby's 'Being There', which I think was Peter Sellers' last film. 28 Feb 02 ·G400 Custom: Re the above comment: I was talking about 'Also Sprach Zarathrustra', not the Ravel piece. Sorry for any confusion. 03 Sep 02 ·G400 Custom: As far as the Ravel adaptation goes, I find it pleasant if a little bit chocolate-boxey, reminiscent of the 60s soundtracks of Francis Lai. I can't argue with Delicado's comments about the string sound though, which is astonishing. 17 Sep 03 ·sodapop650: Bore - Ring! If you are going to listen to Deodato. Listen to the early Equipe LPs. When his sound was so hip, hipper than hip, the bastard brazilian son of Henry Mancini hip. Get a copy of "Tremendao" grab a beer and try to find a nice warm spot of sunshine. 18 Sep 03 ·delicado: Well, you have to remember that I'm someone who is obsessed with string sounds. I listen fanatically to late 50s and 60s mood music records, and am a fan of both Percy Faith and Jackie Gleason's records. Yes, I love Brazilian music, and enjoy all of Deodato's 60s Equipe LPs, but I also have a very real and intense love of what my pal G400 defines as 'chocolate-boxy' easy listening music. Deodato's 1972 LP 'Percepcao' (recently reissued on CD in Brazil) also falls into this category, and I adore it! 18 Apr 04 ·[email protected]: One of the purist fusion jazz artists of his time. Listen to the music, don't try to interpret it or rationalize it. Your missing the point. Eumir is unmistakeably one of the pioneers in this gendre.
'do they know, do they care, that it's only/that I'm lonely and low as can be.../And the smile on my face...isn't really a smile at all...'
This is a brilliant, devastating recording. Julie's gentle, heartfelt vocal, the lush background... I'm speechless!
from Love on the Rocks (Liberty) available on CD - The Liberty Years (EMI)
28 Feb 02 ·G400 Custom: Julie London's version of 'Fly Me To The Moon' is the best I've ever heard. 12 Nov 02 ·followyourbliss: I love Julie London - I agree with G400. Her Fly Me To The Moon is on Ultralounge's Bossanovaville and it's even better than Sinatra's 09 Jan 04 ·rio: great choice; the whole album is one of my favorites by julie.. how about "guess who i saw today"? 21 Aug 04 ·masten: I am looking for a CD of Julie London titled "Love on the Rocks". Does anyone know if this exists? 17 Dec 05 ·vanguard77: It will be released on Feb 6 by EMI-UK, coupled with "Julie." :)
Brian Eno on guitar, percussion, organs and piano and John Cale on viola. When you put geniuses like these two together, something brilliant is bound to happen. In this case, it's this song. This one gets me every time.
from Another Green World
28 Feb 02 ·G400 Custom: Talking of Eno and Cale, 'Wrong Way Up', the LP they released together in 1990, is intermittently excellent. Both of them indulge their poppier side, particularly on 'Lay My Love'.
The greatest pop song of all time.
Without a doubt.
I heard this on the radio at about midnight one day in 1979, it took me 10 years to get a copy and that was a bootleg (I know its always been about in the US, but it was impossible to get here).
02 May 01 ·tinks: it is indeed, one of the greatest songs ever produced...and some of the covers are just as good! check out big maybelle's (which i've recommended), jimmy ruffin's (temptation david's brother) or aretha franklin's (from her 1st atlantic lp). 28 Feb 02 ·G400 Custom: ...but don't check out the Stranglers' very weedy cover from 1990, by which time they'd lost it completely.